Pemetaan Ragam Hias Aceh Dalam Kajian Geografi Budaya Dan Etnografi

Abstract

Ornament is a symbol of cultural identity in a society that is in tune with the essence as homo symbolicus. The process spawned a culture in the development of decoration that is specific typical by region or culture. This study intends to acquire mapping in order to facilitate the identification of decorative ornamentation Acehnese, because in creative economy industry appears uniform and does not address the real wealth Aceh. Mapping the typical decorative loacl region these cultures can be analyzed based on the study of geographical and ethnographic analysis that refers to a system of understanding of space and time which embraced the people of Aceh. This study utilizes ethnographic methods to move select projects ethnography, collecting ethnographic data, creation of ethnographic recordings, analysis and writing ethnography. The result showed that the outline of decorative Aceh can be divided into pattern Aceh East Coast, West Coast and Interior Styling Aceh. This study is expected to be the conservation of the wealth of decorative Aceh so can be used in a variety of media culture in the future.

The Development of The Traditional Wedding Dres of Pidie Regency, Aceh Province

“…in terms of motives, typical motifs of Pidie Regency consist of four motives, namely: Markis that are oval shaped, Buleun like curved crescent moon, Aneuk buleun which is smaller than buleun, Peudeung which looks like a sword with a slight curvature, aneuk peudeung the size is a little smaller than peudeung, and Aneuk timon is shaped like a markis but smaller. Currently the motifs used in the Pidie Regency wedding dress are not only the motifs mentioned above, it is generally varied with the motives of other Acehnese, such as West Aceh [9] One of the reasons is the small motifs of Pidie Regency, while the motifs of West Aceh are large in the form of flowers, perhaps because women prefer flowers so they are more likely to use West Aceh motifs [10]. Currently also using the Pinto Aceh motif which is the greatness of Aceh.…”