Plaosan Temple Ornaments As Iconography Metaphorical Hindu-Buddhist Ideology

Handriyotopo, Handriyotopo

doi:10.15294/harmonia.v22i1.33358

Cited by 2 publications

(3 citation statements)

References 13 publications

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“…Unlike the previous two temples which are architecturally clear as Buddhist temples, Plaosan Temple has a different architecture that is a combination of Hindu and Buddhist architecture. (Handriyotopo, 2022) It is characterized by acculturation in this temple as a symbol of the unity of two leaders of different faiths. In this temple area, you can find perwara buildings with 2 different shapes, namely the shape of a stupa and a perwara temple in general.…”

Section: Methodsmentioning

confidence: 99%

“…In the concept of dividing the temple into three parts, namely k aki temple symbolizes bhurloka or the world on which humans stand, the body of the temple symbolizes bhuwarloka or a world where humans have achieved chastity or perfection and therefore can deal with gods or ancestors who are worshipped. The roof of the temple symbolizes the swarloka or the world of the gods and spirits of the ancestors (Handriyotopo, 2022) (Istanto, 2018). This concept seems to have been adopted by the Buddhist temple building with the same concept.…”

Section: Introductionmentioning

confidence: 99%

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The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature

Sentot¹,

Tribuce²,

Firnadi³

2023

Eduvest

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Borobudur, Mendut, and Plaosan temples are representative temples in Buddhist temple architecture in Indonesia. These three temples were built with different backgrounds in their time but have a common function as places of worship. One of the main characteristics in the building of this temple is the presence of Buddha statues with their spiritual function in the religious activities of Buddhists. This research uses qualitative research methods with a phenomenological approach. Data is processed and analyzed with several stages, namely data condensation, data presentation, and drawing conclusions. The results of the study show that the Buddha statue is interpreted as an important main symbol in temple buildings. This symbol is related to the sacred meaning of the temple and puja activities carried out by the community. The Buddha statue is the most important symbol because it directly represents the Buddha. These Buddha statues are found in all three temples with different names but as Buddhist symbols, have the same characteristics. All three stand out because they are in the middle and tend to be larger in size than other objects, and without a doubt that Buddha statues symbolizing Buddha itself are certainly discussed in Buddhist literature. Although in making Buddhist statues in the three temples look different such as the sitting position of the statues, the shape of the mudras, and the ornaments that adorn them, there are similarities in the components of the statues based on Buddhist literature. The similarity of these components is contained in one sermon (sutta) that explains the characteristics or signs of a Buddha is the Lakkhaṇa Sutta in Dīghanikāya. It is said in the literature that Buddha had 32 signs of the body as a great man

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Section: Methodsmentioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature

Sentot¹,

Tribuce²,

Firnadi³

2023

Eduvest

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“…The story of Sudamala is as in the literary books of Wayang but has been mixed with local cultural acculturation, especially Javanese regarding ruwatan. Thus, this process occurs because of the mutual influence and mixing of elements from the two cultures [4].…”

Section: Introductionmentioning

confidence: 99%

Children's theater performance "Buta Grana Ireng" reinterpretation of Sudamala story in Demping Village

Pujiono,

Handriyotopo,

Nugroho

et al. 2023

Gelar.Jurnal.Seni.Budaya

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Demping, as a tourist village located in Karanganyar Regency, Central Java, has a variety of exciting tourism potential, both natural and religious. The lives of people who are predominantly Hindu still adhere to customs and various activities of religious traditions that are in synergy with their natural beauty. One thing that attracts attention is the public's trust in Sudamala's story. Sudamala tells the story of Durga, ugly and evil until she becomes the beautiful and kind Goddess Uma. Starting from this story, this research attempts to develop it into a children's theater performance by highlighting the values of the Sudamala story. The approach used is a deconstruction perspective from "sanggit" reinterpretation, namely, re-understanding the meanings contained in the story of the Sudamala text with a new meaning. Through this analysis, we can understand in depth the contents of Sudamala's literary works, which are then worked out skillfully in the theatrical work of Buta Grana Ireng children. In the end, the reinterpretation of sanggit in the theatrical performance of the Buta Grana Ireng children was generally able to increase the appreciation of the new theatrical work from the reinterpretation of the Sudamala story at the Sukuh temple and became a new performance work in the Demping Tourism Village.

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Plaosan Temple Ornaments As Iconography Metaphorical Hindu-Buddhist Ideology

Cited by 2 publications

References 13 publications

The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature

The Meaning of Buddhist Statue Symbols In Borobudur, Mendut And Plaosan Temples Based on Buddhist Literature

Children's theater performance "Buta Grana Ireng" reinterpretation of Sudamala story in Demping Village

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