2002
DOI: 10.1111/1469-8219.00047
|View full text |Cite
|
Sign up to set email alerts
|

Plastic arts and nation‐building in Israel

Abstract: This article begins as an attempt to analyse an apparently paradoxical situation created by two events, which occurred simultaneously in 1948: the establishment of Israel as an independent state and the emergence of the Ofakim Hadashim (New Horizons) group of artists, acknowledged as the most renowned local artists at the time. The creation of the state of Israel may be considered the high point of Jewish nationalism, when the nation celebrated its distinctiveness. On the other hand, Ofakim Hadashim was a grou… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2003
2003
2006
2006

Publication Types

Select...
3

Relationship

0
3

Authors

Journals

citations
Cited by 3 publications
(1 citation statement)
references
References 4 publications
0
1
0
Order By: Relevance
“…The interpretation suggested above challenges the general sociological assumptions about the role of intellectuals in Israeli nation building and contradicts the conventional explanation regarding the Israeli state-building process. Intellectual life within the Jewish community in the mandatory Palestine did not emerge as a direct and exclusive result of a specific political will Á Zionism Á but rather as an outcome of a wider project: that of modernity (Trajtenberg, 2002). For well over a century, Jewish intellectuals Á and especially those German-Jewish scholars who constituted the mainstream of the Jewish philosophy in the last century Á had been having serious doubts concerning the legitimacy and desirability of harnessing the interests of the Jewish people to the worldly power of a political state.…”
Section: Modernity/globalisation Versus Nation Building Within Academmentioning
confidence: 99%
“…The interpretation suggested above challenges the general sociological assumptions about the role of intellectuals in Israeli nation building and contradicts the conventional explanation regarding the Israeli state-building process. Intellectual life within the Jewish community in the mandatory Palestine did not emerge as a direct and exclusive result of a specific political will Á Zionism Á but rather as an outcome of a wider project: that of modernity (Trajtenberg, 2002). For well over a century, Jewish intellectuals Á and especially those German-Jewish scholars who constituted the mainstream of the Jewish philosophy in the last century Á had been having serious doubts concerning the legitimacy and desirability of harnessing the interests of the Jewish people to the worldly power of a political state.…”
Section: Modernity/globalisation Versus Nation Building Within Academmentioning
confidence: 99%