2009
DOI: 10.1080/14759550802709574
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Poetry in motion: protest songwriting as strategic resource (Portugal, circa 1974)

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“…8 Derrida’s interview with Coleman is therefore different in tone when compared, say, with the published conversations between Edward Said and Daniel Barenboim (2002). Barenboim has written on music and its relationship with wider political issues, and one gets a sense of the meeting of similar minds—conversations between two individuals who share comparable orientations toward, and understandings of, the world (see also Guimaraes-Costa, Pina e Cuhna, & Viera Da Cunha, 2009). 9 Derrida and Coleman, however, appeared to have had less in common—at least in terms of their respective temperaments and approaches to life.…”
Section: Improvisation Coleman and Derridamentioning
confidence: 99%
“…8 Derrida’s interview with Coleman is therefore different in tone when compared, say, with the published conversations between Edward Said and Daniel Barenboim (2002). Barenboim has written on music and its relationship with wider political issues, and one gets a sense of the meeting of similar minds—conversations between two individuals who share comparable orientations toward, and understandings of, the world (see also Guimaraes-Costa, Pina e Cuhna, & Viera Da Cunha, 2009). 9 Derrida and Coleman, however, appeared to have had less in common—at least in terms of their respective temperaments and approaches to life.…”
Section: Improvisation Coleman and Derridamentioning
confidence: 99%