Popular music heritage, cultural memory and cultural identity

Brandellero, Amanda; Janssen, Susanne; Cohen, Sara; Roberts, Les

doi:10.1080/13527258.2013.821624

Cited by 35 publications

(22 citation statements)

References 6 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…At the same time, Marco Borsato, the most successful Dutch language performer of the 1990s and 2000s is strictly seen as national, just like the 1980s teenage phenomenon Doe Maar. The responses correspond closely to the most symbolic moments and canonical acts of Dutch popular music which have been the object of exhibitions, archival activities and publications on the part of amateur and cultural heritage institutions alike (Brandellero andPfeffer 2015, Van der Hoeven and. The results suggest a strong, shared cultural memory among audiences as well.…”

Section: Respondents From Different Countries Highlighted Strikingly supporting

confidence: 52%

“…The data was collected via an online survey hosted by the Erasmus University Rotterdam, in collaboration with the University of Liverpool, University of Ljubljana and University of Vienna as part of the Popular Music, Cultural Memory and Identity project POPID (cf. Brandellero et al 2014). The survey was advertised through Facebook, local newspapers and music magazines, as well as circulated locally.…”

Section: Methodsmentioning

confidence: 99%

See 1 more Smart Citation

‘Do you remember rock ‘n’ roll radio?’ 1 How audiences talk about music-related personal memories, preferences and localities

Brandellero¹,

Verboord²,

Janssen³

2018

The Routledge Companion to Popular Music History and Heritage

Self Cite

View full text Add to dashboard Cite

show abstract

Section: Respondents From Different Countries Highlighted Strikingly supporting

confidence: 52%

Section: Methodsmentioning

confidence: 99%

‘Do you remember rock ‘n’ roll radio?’ 1 How audiences talk about music-related personal memories, preferences and localities

Brandellero¹,

Verboord²,

Janssen³

2018

The Routledge Companion to Popular Music History and Heritage

Self Cite

View full text Add to dashboard Cite

show abstract

“…The research for this article has been conducted in the context of a European research project on popular music heritage, cultural memory and cultural identity (Brandellero et al, 2014). It builds upon the findings of four case studies that focused on the ways in which cultural and heritage industries construct narratives of popular music heritage and cultural memory (Van der Hoeven, 2012, 2014, 2015; Van der Hoeven and Brandellero, 2015).…”

Section: Methodsmentioning

confidence: 99%

Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories

Hoeven

2015

European Journal of Cultural Studies

View full text Add to dashboard Cite

This article examines the relationship between popular music, memory and cultural identity. It draws upon narrative approaches to memory and identity in order to explore how engagement with music from the past can both afford and constrain identity construction. On the basis of in-depth interviews with, among others, heritage practitioners and audience members, I discuss how practices in the cultural and heritage industries affect the way in which popular music’s past is narrated. Although those narratives offer a sense of belonging and identity through their connection to experiences of time and place, there are also factors that compromise this potential. The article discusses limits to the accuracy of memories and impediments to representations of local diversity. Furthermore, I argue that copyright regulation affects which stories about popular music’s past can be told.

show abstract

“…Traditional music has rich cultural characteristics and carries the tradition, history, and cultural identity of a place and its people [32,33]. Some groups are extremely attracted to traditional music wherever they are because traditional music awakens their cultural memory and identity [33,34]. These theories explain why Cantonese opera is popular with Cantonese people all over the world.…”

Section: Cultural Identitymentioning

confidence: 99%

Construction of Leisure Consumer Loyalty from Cultural Identity—A Case of Cantonese Opera

2021

View full text Add to dashboard Cite

Many regions and countries hope to employ cultural leisure products to obtain economic benefits. However, in the process of globalisation, cultural standardisation has posed difficulties for vulnerable cultures in terms of cultural inheritance and sustainable development. As with many intangible cultural heritages, Cantonese opera is also facing a shrinking market. Hence, to develop the strategy of sustainable development of Cantonese opera, this research aims to clarify the connection between cultural identity and loyalty in cultural leisure consumption in the context of Cantonese opera as a leisure product. The results show that each dimension of cultural identity has a positive effect on perceived value, and two dimensions positively affect satisfaction. The path of cultural identity building loyalty is also confirmed to be through perceived value and satisfaction. Future studies and the consequences of future practices are discussed.

show abstract

Popular music heritage, cultural memory and cultural identity

Cited by 35 publications

References 6 publications

‘Do you remember rock ‘n’ roll radio?’ 1 How audiences talk about music-related personal memories, preferences and localities

‘Do you remember rock ‘n’ roll radio?’ 1 How audiences talk about music-related personal memories, preferences and localities

Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories

Construction of Leisure Consumer Loyalty from Cultural Identity—A Case of Cantonese Opera

Contact Info

Product

Resources

About