Por um jornalismo latino-americano realista, literário e mágico: uma leitura das crônicas de Gabriel García Márquez

Dravet, Florence

doi:10.12957/logos.2013.7710

Cited by 2 publications

(4 citation statements)

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“…According to Florence Dravet, the myth is a "narrative of uncertainties" through which the reader is confronted by two levels of reality, the factual reality and what emerges as a possibility behind the fact itself, which materializes and gains meaning only in the subjectivity of the reader [9]. It is this dual reality that, by reflecting the facts, allows the reader to activate his sensitivity, emotion and wisdom, and transcend the singular fact, such as, for example, the birth of a centaur child, and take him to a universal dimension.…”

Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

“…It is the universality of the work that triggers these reading skills; that is what expands the communicative power of Fantastic Realism. The author says: the real as a possibility makes the human spirit become a creator, a playwright, a demiurge [9]. It makes the impossible possible.…”

Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

“…This double operation of imagining and interpreting makes the reader engage in the task of visualizing the many possible forms of the identifiable world. With similar approach, Dravet states that the writer has the ability to extirpate people from their known and predictable daily lives, to immerse them in new worlds, universes described with such mastery that reading is more like a journey to other times, other places, other realities [9]. The mythical dimension of the fantastic makes the reader remain in their reality, but looking at it from another angle, making use of their social, political and historical repertoire.…”

Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

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Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar

Ana¹,

Rafael²

2021

IJLA

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From a comparative approach between literature and cultural studies, this paper aims at analyzing the image of the centaur in The Centaur in the Garden, by Brazilian writer Moacyr Scliar, which becomes a reading key to analyze the human condition and their dichotomy reason-instinct. A well elaborated and involving narrative that, starting from Greek mythology, allows us to make a journey between the real and the imaginary; in which the presence of a fantastic being is inserted in daily relationships, causing uncomfortable impacts in a conservative society that struggles to keep its traditions alive. In the game of intertextualities present in the work, the centaurs are configured as a representation of the postmodern subject, marked by conflicts between tradition and modernity, and above all, by the fragmentation of identity, which has materialized in the physical hybridism of the characters. Throughout the work, their diverse condition causes the centaurs to face prejudice and intolerance, bringing to light some of the most relevant issues of postmodernity: issues of belonging and exclusion, recognition and social invisibility, highlighting the cultural marks of a traditional society exposed to constant conflicts as to the acceptance of the diverse, as to the universal condition of the Subject. Thus, understanding the text as an example of the fantastic real as defined by Jorge Luis Borges, and considering the text as a game between author and reader, where the text is the board and whose rules are launched by the author, Scliar's work is a complex game with multiple layers, which uses the fantastic as the main strategy for the unveiling of its interpretative possibilities. For this, in dialogue with the aesthetic proposal of the real fantastic, it will be used as theoretical reference the it will be used as theoretical reference the works by

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Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

Section: The Myth In the Garden: Conversations Between Real And Fanta...mentioning

confidence: 99%

See 1 more Smart Citation

Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar

Ana¹,

Rafael²

2021

IJLA

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“…We have analyzed, in a study on the journalistic work of Gabriel Garcia Márquez (Dravet, 2013), how the author managed, in his journalistic texts, to "elevate fact to myth". This means that what is news, fact, involving people, times and places, become myths in the author' s texts.…”

Section: Literary Journalism As a Subject Of Transdisciplinary Knowledgementioning

confidence: 99%

Literary Journalism, Transdisciplinarity and Complexity Field: The Journalistic and Literary Knowledges of João Guimarães Rosa

Castro

Dravet

Jubé

et al. 2018

BJR

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This article seeks to situate Literary Journalism as a discipline of complex and transdisciplinary knowledge, necessary for the training of every journalist. It seeks to understand and integrate the practice of narration to the problems of the levels of reality. The concepts of Literature of Complexity and Transdisciplinarity serve as a basis for our reflection. With the short story “Com o vaqueiro Mariano”, we bring the literature of João Guimarães Rosa and his relations with journalistic knowledge, from the notion of interview, through the system of production and circulation of information to the techniques of verification that the author used. Finally, we conclude that Literary Journalism allows not only to situate journalism in the communication circuit, but also, and in an extended way, broaden the communication circuit to its cultural dimension, exercising such a pedagogical role relevant to any area of knowledge.Este artigo busca situar o jornalismo literário enquanto disciplina de saberes complexos e transdisciplinares, necessária à formação de todo jornalista. Busca entender e integrar a prática da narração aos problemas dos níveis de realidade. Os conceitos de literatura de complexidade e de transdisciplinaridade servem de base à nossa reflexão. Com o conto “Com o vaqueiro Mariano”, trazemos a literatura de João Guimarães Rosa e suas relações com os saberes jornalísticos, desde a noção de entrevista, passando pelo sistema de produção e circulação da informação até as técnicas de apuração que o autor empregava. Por fim, concluímos que o jornalismo literário permite não só situar o jornalismo no circuito da comunicação, mas também, e de forma ampliada, estender o circuito da comunicação à sua dimensão cultural, em seu papel pedagógico relevante para qualquer área do conhecimento.Este artículo busca situar el periodismo literario como disciplina de saberes complejos y transdisciplinarios, necesaria para la formación de todo periodista. Se trata de entender y de integrar la práctica de narrar los problemas de los niveles de realidad. Los conceptos de literatura de complejidad y de transdisciplinariedad sirven de base a nuestra reflexión. Con el conto “Com o vaqueiro Mariano”, traemos la literatura de João Guimarães Rosa y sus relaciones con los saberes periodísticos, desde la noción de entrevista, pasando por el sistema de producción y circulación de la información hasta las técnicas de escrutinio que el autor empleaba. Por último, concluimos que el periodismo literario permite no sólo situar el periodismo en el circuito de la comunicación, sino también, y de forma ampliada, extender el circuito de la comunicación a su dimensión cultural, ejerciendo tal disciplina un papel pedagógico relevante para cualquier área del saber.

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Por um jornalismo latino-americano realista, literário e mágico: uma leitura das crônicas de Gabriel García Márquez

Cited by 2 publications

References 0 publications

Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar

Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar

Literary Journalism, Transdisciplinarity and Complexity Field: The Journalistic and Literary Knowledges of João Guimarães Rosa

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Por um jornalismo latino-americano realista, literário e mágico: uma leitura das crônicas de Gabriel García Márquez

Cited by 2 publications

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Conversations in the Garden: The Fantastic and the Postmodern in &lt;i&gt;The Centaur in the Garden&lt;/i&gt;, by Moacyr Scliar

Conversations in the Garden: The Fantastic and the Postmodern in &lt;i&gt;The Centaur in the Garden&lt;/i&gt;, by Moacyr Scliar

Literary Journalism, Transdisciplinarity and Complexity Field: The Journalistic and Literary Knowledges of João Guimarães Rosa

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Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar

Conversations in the Garden: The Fantastic and the Postmodern in <i>The Centaur in the Garden</i>, by Moacyr Scliar