Potensi Seni Pertunjukan Bali Sebagai Penunjang Industri Pariwisata di Kota Mataram, Nusa Tenggara Barat

Gede, Yudarta I

doi:10.31091/mudra.v31i1.247

Cited by 4 publications

(4 citation statements)

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“…Murianto 2014, Kanom (2015), Sriwi (2016), Yudarta (2016), and Trisnawati (2016) have all constructed Lombok as an island that has considerable potential to attract tourists and develop a tourism sector. Murianto (2014), in his study of tourist attractions and public perceptions in Central Lombok, focused on ecotourism, highlighting such waterfalls as Stokel, Benang Kelambu, and Kelewon.…”

Section: The Tourism Discourse In Lombokmentioning

confidence: 99%

From Europe to Lombok: The Discourse of Lombok Tourism in the Novel Medulla Sinculasis

Hd¹

2020

LiNGUA J.

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This article discusses the discourse of Lombok tourism in Paox Iben's novel Medulla Sinculasis. In Lombok, discourse on tourism was initiated by Tuan Guru Bajang, a religious scholar, after he was elected the governor of West Nusa Tenggara, Indonesia, in 2008. Within this context, the novel Medulla Sinculasis is discussed. The novel constructs an understanding of Lombok as a tourism destination, beginning with Europe. In this story, Nuruda is driven to visit Lombok after seeing a painting titled Medulla Sinculasis being auctioned at the Van Gogh Museum in the Netherlands. After returning to Indonesia from Europe, Nuruda decides to travel directly to Lombok and meet Husin Nanang, the painter. His meeting with Husin Nanang, as well as the situation in Ampenan City, leads Nuruda on a transformation from tourist to social activist, fighting to protect the rights and promote the interests of marginal groups. Nuruda's struggle is ultimately unsuccessful, and he is killed in a hit-and-run. The Lombok in this novel is part of the discourse from the 2000s and 2010s, a period that was dominated by the economisation of Lombok. The novel Medulla Sinculasis may be seen part of this dominant discourse, and thus having the economisation of Lombok as part of its agenda.

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Section: The Tourism Discourse In Lombokmentioning

confidence: 99%

From Europe to Lombok: The Discourse of Lombok Tourism in the Novel Medulla Sinculasis

Hd¹

2020

LiNGUA J.

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“…As tourism has developed, the regional government has sought to promote Sasak culture, even mixing it with Balinese culture to attract tourists. Bali, thus, has played an important role in the development of the tourism sector in Lombok (Yudarta 2016). Traditional music has become mixed with modern music, such as in the kecimol genre (Yudarta & Pasek 2017).…”

Section: The Economization Of Lombokmentioning

confidence: 99%

Feudalism versus Capitalism: The Changing Representation of Lombok in Nadira Khalid's Novel Ketika Cinta Tak Mau Pergi

2018

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This article aims to explain the changes in Lombok representation in Ketika Cinta Tak Mau Pergi (When LoveRefuses to Leave) novel by Nadira Khalid. To explain this, this article uses representation theories and methods that combine semiotic and discourse models. Lombok is represented as part of Java, as the literary language of Lombok is Javanese. Through literature, the Sasak people of Lombok have gained knowledge of feudalism, a social system that remains common until today. Java interpellates Sasak as a feudal subject. Nobility maintains a system of feudalism and perwangsa dengan jamaq carrying the spirit equality. Nobles dominate the production of culture, especially Sasak Literature, through the publication of West Nusa Tenggara Barat historical monograph. The novel Ketika Cinta Tak Mau Pergi depicts capitalism as an alternative to feudalism. This can be seen in the novel's narrative, which follows a noble family that must migrate to Sumbawa after their village is purchased by a company that seeks to build a factory on the land. The novel shows the Sasak people prefer becoming factory workers over farming, and as an implication of capitalism the island experiences economization process. However, both worldviews pose obstacles to the love of the main characters Lalu Kertiaji and Sahnim. Romanticism, thus, is seen as offering an alternative to both these views.

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“…Kesenian Sasak bercampur dengan kesenian modern (Yudarta & Pasek, 2017). Keberadaan kesenian Bali mendukung pariwisata di Kota Mataram (Yudarta, 2016). Dalam konteks demikian, teks angin alus tetap hadir dan dihadirkan oleh masyarakat Sasak.…”

Section: Pendahuluanunclassified

Representasi Bangsawan Sasak Dalam Teks Angin Alus Masyarakat Sasak

Hd¹,

Muttaqin²

2018

Lit

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Penelitian ini bertujuan mendeskripsikan representasi bangsawan Sasak dalam teks Angin Alus masyarakat Sasak-Lombok. Pembahasan teks ini menggunakan perspektif semiotik Peirce dengan metode analisis Recouer. Pembahasan terdiri atas analisis struktur teks dan dunia yang digelar teks dan analisis hubungan pertama dan kedua dengan dunia penafsir. Hasil penelitian menemukan bahwa teks Angin Alus menunjukkan representasi kabar kesedihan orang Sasak dan bangsawan karena kehidupan membawanya ke suatu ruang yang memberikan penderitaan, baik dalam konteks historis Sasak maupun dalam konteks kekinian dengan konteks sosial yang berbeda. Hal tersebut mengindikasikan bahwa masyarakat Sasak juga mengalami percampuran dengan pihak luar yang mempengaruhi caranya memandang kehidupan. Generari muda Sasak-Lombok harus memahami posisi sebagai buaq ate, kembang mate, generasi yang selalu berserah diri dan sebagai lomboq, dengan selalu mengembalikannya kepada yang satu (Sa Sak), yakni Tuhan. Perbedaan antara diri dan yang lain melebur menjadi Sasak-Lombok sekarang.Kata kunci: representasi, masyarakat Sasak, kabar kesedihan, bangsawan THE REPRESENTATION OF SASAK ARISTOCRATS IN SASAK COMMUNITY’S TEXT ANGIN ALUSAbstractThis study aims to describe the representation of Sasak aristocrats in Sasak-Lombok community’s text Angin Alus. The discussion of the text used Peirce’s semiotic perspective and Recouer’s analysis method. It consisted of the analysis of the text structure and the world represented by the text and the analysis of the first and second relationships with the world of interpreters. The research finding reveals that the text Angin Alus shows the representation of the news of sadness of Sasak people and aristocrats because life brings them to a space that gives suffering, both in the historical context of Sasak and in the contemporary context with different social contexts. This indicates that Sasak community also experience mixing with outsiders that affect the way they view life. Sasak-Lombok young generation have to understand the positions as buaq ate and kembang mate, as a generation that always show submission and as lomboq by always returning it to the one (Sa Sak), namely God. The differences between the self and others merge into the present Sasak-Lombok.Keywords: representation, Sasak community, Angin Alus, news of sadness, aristocrats

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Potensi Seni Pertunjukan Bali Sebagai Penunjang Industri Pariwisata di Kota Mataram, Nusa Tenggara Barat

Cited by 4 publications

References 0 publications

From Europe to Lombok: The Discourse of Lombok Tourism in the Novel Medulla Sinculasis

From Europe to Lombok: The Discourse of Lombok Tourism in the Novel Medulla Sinculasis

Feudalism versus Capitalism: The Changing Representation of Lombok in Nadira Khalid's Novel Ketika Cinta Tak Mau Pergi

Representasi Bangsawan Sasak Dalam Teks Angin Alus Masyarakat Sasak

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