Presupposition in Beauty and the Beast Movie Script

Kristy, Yossi; Deliana, Deliana; Harefa, Yulianus

doi:10.30743/ll.v4i2.2752

Cited by 2 publications

(1 citation statement)

References 1 publication

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“…Stress that presuppositions form a set of background assumptions necessary for utterances to make sense (Kristy, Deliana, & Harefa, 2020). Earlier study said that it's essential to recognize that presupposition is contextdependent, emerging dynamically in specific communicative situations (Fitriani, 2021) (Thoyyibah, Tri, & Rullyanti, 2021).…”

Section: Presuppositionmentioning

confidence: 99%

Analysis of Pragmatic Presupposition of Characters in Disney's Luca Film

Al Kahfi,

Rosdiana,

Santos

2024

Kredo J. Ilm. Bhs. dan Sastra

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Bahasa memiliki peran penting dalam komunikasi. Artikel ini menyelami ranah wacana sinematik dengan melakukan analisis pragmatis presuposisi dari film animasi "Luca". Dengan mengacu pada prinsip-prinsip pragmatika, penelitian ini bertujuan untuk mengungkap dan menguji presuposisi yang terkandung dalam dialog dan interaksi karakter, memberikan pemahaman tentang asumsi implisit yang membentuk narasi. Dengan pendekatan kualitatif, penelitian ini mengeksplorasi bagaimana presuposisi berkontribusi pada pemahaman penonton tentang karakter, dinamika plot, dan elemen tematik dalam film tersebut. Analisis juga mempertimbangkan nuansa budaya dan kontekstual yang dapat memengaruhi interpretasi presuposisi dalam konteks sinematik. Melalui eksplorasi ini, ditemukan total 177 data jenis presuposisi. Diantaranya, presuposisi faktif menyumbang 74 data (42%), sedangkan presuposisi struktural mencakup 49 data (28%). Presuposisi eksistensial ditemukan dalam 33 data (19%), diikuti oleh presuposisi non-faktif dengan 14 data (8%). Selain itu, presuposisi leksikal diamati dalam 4 data (2%), dan presuposisi kontrafaktual merupakan 3 data sisanya (1%). Presuposisi faktif sering muncul dalam film ini karena seringnya narasi film bergantung pada kebenaran yang sudah jelas dan asumsi-asumsi dalam ceritanya. Language plays a crucial role in communication. This article delves into the realm of cinematic discourse by undertaking a pragmatic presupposition analysis of the animated film "Luca." Drawing on the principles of pragmatics, this study aims to uncover and examine the underlying presuppositions embedded within the characters' dialogues and interactions, shedding light on the implicit assumptions that shape the narrative. By employing a qualitative approach, the research explores how presuppositions contribute to the audience's understanding of the characters, plot dynamics, and thematic elements in the film. The analysis also considers the cultural and contextual nuances that may influence the interpretation of presuppositions in the cinematic context. Through this exploration, a total of 177 data types of presuppositions were identified. Among these, factive presuppositions accounted for 74 data (42%), while structural presuppositions comprised 49 data (28%). Existential presuppositions were found in 33 data (19%), followed by non-factive presuppositions in 14 data (8%). Additionally, lexical presuppositions were observed in 4 data (2%), and counter-factual presuppositions constituted the remaining 3 data (1%). The most used type of presupposition found in this movie is factive presupposition as evidenced by the frequent reliance on established truths and assumptions within the narrative of this film.

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Section: Presuppositionmentioning

confidence: 99%

Analysis of Pragmatic Presupposition of Characters in Disney's Luca Film

Al Kahfi,

Rosdiana,

Santos

2024

Kredo J. Ilm. Bhs. dan Sastra

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The Realization of Presupposition Triggers in the Types of Presupposition in Articles by Non-Native English Writers

Ghafoory

Miran

2022

J. Tikrit U Hum.

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This research was conducted with attention to the examination of presuppositions in the journal articles published by non-native English writers’ case study Kurdish researchers. The study mainly intends to highlight the presupposition triggers, the nature of presupposition, and recognition of presupposition triggers in a particular presupposition in publications by Kurdish scholars. The significance of the thesis is to lead people to understand presuppositions in the writing language and to learn more about how presuppositions are triggered by native Kurdish writers. Students of linguistics may benefit from this research. The outcomes of the study are expected to be theoretically and practically helpful and relevant, especially for those specialized. The research focuses on publications by non-native English writers or authors from the Kurdistan region of Iraq. There is a plan to compile the journal text from 2000 to 2021. The researcher in this research relies on theories of presupposition triggers by Levinson. This paper intends to provide a comprehensive scrutiny of journal papers. A descriptive, yet qualitative study is thereby adopted for randomly selected articles by non-native English writers from Kurdish writers. During the data analysis of the 10 articles by non-native writers in relation to all thirteen categories of presupposition triggers, which have been identified in the Kurdish writers’ articles, a number of conclusions are reached. The most prominent finding is that definite description is the most presupposition trigger that is found. However, verbs of judging have the least appearance.

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Presupposition in Beauty and the Beast Movie Script

Cited by 2 publications

References 1 publication

Analysis of Pragmatic Presupposition of Characters in Disney's Luca Film

Analysis of Pragmatic Presupposition of Characters in Disney's Luca Film

The Realization of Presupposition Triggers in the Types of Presupposition in Articles by Non-Native English Writers

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