The article examines the concepts of the historical city in the aspect of their relationship with the hypothetical future cultural landscape in the works of N.V. Gogol, V.F. Odoevsky, V.G. Belinsky, A.S. Khomyakov, V.A. Sollogub, N.I. Nadezhdin, M.S. Volkov, etc. The author considers the period of 1830-50 in Russia as the time of the emergence of new ideas about the historical phenomenon of the city and methods of its study and tries to trace the evolution of ideas about the nature of the relationship between the historical city and the new architectural environment in this period: from the declaration of the free use of architectural forms of the past, regardless of geographical and historical context, to attempts of a dialogue based on the appeal to the national and regional heritage of the past and awareness of the importance of the historical city as a unique and irreplaceable type of cultural heritage, inextricably linked with the cultural and natural landscape.