The present study depicts the case of a straight, 25 year old, Romanian woman Angela M, who is an individual with a sexual interest in dacryphilia (i.e. she derives sexual pleasure and arousal from crying and/or tears). Asynchronous email interviews were carried out with with Angela M between January 2013 and February 2013 as part of a wider study into dacryphilia. Angela M's interview transcripts comprised rich textual accounts that often made reference to cultural phenomena. Therefore, we apply critical discursive psychology to her data and identify the interpretative repertoires, subject positions, and ideological dilemmas that she uses to construct and negotiate her sexual identity. Our analysis suggests that Angela M draws predominantly upon two interpretative repertoires that construct her sexual interest in dacryphilia both as a performance and as an intellectual activity. However, some tensions exist within these interpretative repertoires, which Angela M negotiates by also constructing her sexual interest as a pathology. We explore the implications of the analysis with reference to postmodern theory and the historical context of a psychiatric tradition that pathologises non-normative sexual interests.Keywords: Dacryphilia; non-normative sexual interests; crying; discursive psychology; online research Dacryphilia is a non-normative sexual interest in which sexual pleasure and arousal is derived from crying and/or tears (reference removed for blind review). We have previously explored three areas of interest that may be relevant to the experience of dacryphilia (reference removed for blind review). These areas comprised those with compassionate, dominant/submissive and curled-lip interests. In the present paper, we analyse the experiences of a participant with compassionate interests in more depth. In particular we apply critical discursive psychology (Edley, 2001) to her interview data in order to generate novel insights concerning how she constructed her non-normative sexual interest in dacryphilia.