“…Sensationalist crimes are no longer considered anomalies, but permanent insidious features with repetitive themes of haunting and dereliction, from which, in true Gothic spirit, there is no rescue or escape (Valier 2002: 323). The populism of today does not simply come from mass-mediated stories, but instead reflects cultural anxieties and a longing for categorical certainties in the vertiginous conditions of late modernity (Sothcott 2016;Valier 2002;Young 2007). The Gothic imagination is, therefore, not only a projection of anxiety striving to reinforce cultural boundaries, but is also used to actively disrupt these boundaries, "exposing their cultural fragility" (Sothcott 2016: 436).…”