2002
DOI: 10.1177/136248060200600305
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Punishment, border crossings and the powers of horror

Abstract: Gothicism, typified by gruesome injury and trauma, and menacing shadowy figures, is a prominent feature of the discourses of public protection and vengeful punishment. Historically the gothic has dramatized a modern preoccupation with boundaries and their collapse. Today an increasingly complex series of networks and flows cross, undermine and remake the borders and boundaries of old. Important contemporary reconfigurations include the erosion of traditional distinctions between public and private spheres, bet… Show more

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Cited by 40 publications
(21 citation statements)
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“…The European Court, while not identifying this act as a breach of human rights, did comment that it was somewhat unadvisable. When the boys, Thompson and Venables, were eventually released in 2000, the threat of attack was deemed so serious that they had to be supplied with new identities backed up by an anonymity order (see Valier, 2002). They were described in the Times as 'marked men' and 'dead men walking.'…”
Section: Punishment As a Hate Crimementioning
confidence: 98%
“…The European Court, while not identifying this act as a breach of human rights, did comment that it was somewhat unadvisable. When the boys, Thompson and Venables, were eventually released in 2000, the threat of attack was deemed so serious that they had to be supplied with new identities backed up by an anonymity order (see Valier, 2002). They were described in the Times as 'marked men' and 'dead men walking.'…”
Section: Punishment As a Hate Crimementioning
confidence: 98%
“…Sensationalist crimes are no longer considered anomalies, but permanent insidious features with repetitive themes of haunting and dereliction, from which, in true Gothic spirit, there is no rescue or escape (Valier 2002: 323). The populism of today does not simply come from mass-mediated stories, but instead reflects cultural anxieties and a longing for categorical certainties in the vertiginous conditions of late modernity (Sothcott 2016;Valier 2002;Young 2007). The Gothic imagination is, therefore, not only a projection of anxiety striving to reinforce cultural boundaries, but is also used to actively disrupt these boundaries, "exposing their cultural fragility" (Sothcott 2016: 436).…”
Section: Gothic Criminologymentioning
confidence: 99%
“…The Gothic imagination is, therefore, not only a projection of anxiety striving to reinforce cultural boundaries, but is also used to actively disrupt these boundaries, "exposing their cultural fragility" (Sothcott 2016: 436). The more porous the boundaries between public and private, information and entertainment, legal and extralegal become, the more influence Gothic narratives will have on criminal justice policies (Valier 2002). As such, Gothicity not only molds our perception of offenders and offending, but also permeates punishment and the criminal justice processes.…”
Section: Gothic Criminologymentioning
confidence: 99%
“…Converging terrors of terrorism and loss of national identity occupying western societies post-9/11, and which have regained momentum following recent terror attacks within European cities, can be understood through the Gothic's preoccupation with borders and their collapse. The Gothic nature of contemporary social risks (forthcoming; also Valier 2002, Abbas 2013) arises from a fundamental concern with security both "national security and personal ontological security" (McGhee 2005, 76). What has surfaced in the post-9/11 context is a Gothic populism that draws into relation a pronounced "asylophobia" (McGhee 2005, 76) with the threat of terrorism (Weber and Bowling 2004, 198).…”
Section: Securitizing the Refugee Regimementioning
confidence: 99%