DOI: 10.17077/etd.qyewy9ex
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Pushing the boundaries

Abstract: for their help in data collection and preparation. Thank you, Dr. Brian Smith and Sarah Bell, for your statistical support. I would like to thank Johanna Uthoff for her contribution to this project. In particular, her assistance with the clinical dataset and segmentation was invaluable. Finally, I would like to thank my husband, daughter, and family for their support and encouragement.

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Cited by 4 publications
(8 citation statements)
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References 39 publications
(61 reference statements)
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“…From the definition of κ in (28) we see that the m − → 0 and L → ∞ limits do not commute with each other.…”
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confidence: 98%
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“…From the definition of κ in (28) we see that the m − → 0 and L → ∞ limits do not commute with each other.…”
mentioning
confidence: 98%
“…Besides reproducing results in Minkowski spacetime in the infinite volume limit, analyzing the model on a circle has the advantage of being free from infrared divergence and well-defined at every stage of manipulation. Furthermore analytic solutions of the multi-flavor model are extremely useful for comparison with lattice simulations where several flavors are inherent [28] [31][37]- [39].…”
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confidence: 99%
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“…In Lybius torquatus, L. vieilloti, L. guifsobalito, L. (Tricholaema) lacrymosus and Trachyphonus darnaudii duetting at periodic intervals has been reported, and duetting is suspected in other species known to give long series of double notes (Lybius leucocephalus, L. melanopterus, and L. minor); these songs are described by Mackworth-Praed & Grant (1957, 1962, Chapin (1939), Moreau & Moreau (1937), and Albrecht & Wickler (1968). Duetting by male and female of a pair has also been noted for the tropical American barbets Dicrorhynchus frantzii and Semnornis ramphastinus (Skutch 1944, Eaton, in Dilger 1953, and two Indian barbets Megalaima virens and M. haemacephala (Osmaston 1941, Dilger 1953. The descriptions of songs of two of the African barbets suggest that calling rhythms of the two duetting birds are different from each other.…”
Section: Introductionmentioning
confidence: 80%