Quality TV, Turkish Television History, and the Transformation of <i>Sıfır Bir</i>

Arslan, Savaş; Tetik, Tuna

doi:10.1080/01956051.2020.1769018

Cited by 3 publications

(2 citation statements)

References 12 publications

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“…Türk medyasına bu hızlı eklemlenme, OTT platformlarını akademik medya çalışmaları açısından da değerli kılmıştır. Yerli OTT platformlarının yarattığı ya da yaratabileceği değişimleri tespit edebilmek, anlayabilmek ve/veya öngörebilmek için bu platformlar biçim ve içerik (Arslan &Tetik, 2021;Özkent & Can, 2021;Söğüt, 2020;Yıldırım, 2020) endüstri (Sarı & Sancaklı, 2020;Çamur & Zinderen, 2021;Dikkol, 2020), izleyici (Demir & Vural Batık, 2020;Başer & Akıncı, 2020;Tüzün Ateşalp & Başlar, 2020;Karaduman & Çetinkaya, 2020) çalışmaları ile harmanlanarak araştırılmış ve bunun sonucunda medya çalışmalarındaki bazı kuram ve kavramları tekrar gözden geçiren çalışmalar yapılmıştır. Türkiye'de OTT platform kullanıcıları üzerine yapılan sınırlı sayıdaki izleyici çalışmaları da büyük oranda bu platformların sundukları imkânların seyircinin izleme ve tercih etme pratiklerini değiştirdiği yönünde bir sonuca varmıştır.…”

Section: Introductionunclassified

Gençler Yerli Dizileri Nasıl İzliyor? Türkiye’de Yeni Televizyon Ekosistemi Çerçevesinde Eleştirel Bir İzleyici Araştırması

ÖNK

Özdemir

2022

Intermedia International E-Journal

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Digital technologies, which have changed the media environment, have witnessed a significant change with the emergence of OTT platforms in television broadcasting. With the opening of national OTT platforms in Turkey, a change has begun in terms of television production practices and audience preferences/experiences. From this point of view, this study aims to examine the opinions and attitudes of young audiences in Turkey towards watching dizi (Turkish TV drama) on OTT platforms and the consistency of their experiences and practices reflected in their watching behaviours. In this context, two-stage research consisting of survey and focus group interviews was designed. The first stage -an internet survey- determines the differences and similarities of audience experience on the traditional television dizi versus on OTT platform dizi. In the second stage of the study, the research questions were deepened on a limited sample based on the data that half of the dizi audience were between the ages of 18-34, in line with the survey findings. In this context, focus group discussions were held with eighteen participants in three sessions. In the sessions, questions categorized in three themes according to the survey results were asked. The data obtained from both studies were evaluated together; collected under three thematic titles, visualized through tables, and analyzed and interpreted in the context of critical theories prominent in recent audience studies.

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Section: Introductionunclassified

Gençler Yerli Dizileri Nasıl İzliyor? Türkiye’de Yeni Televizyon Ekosistemi Çerçevesinde Eleştirel Bir İzleyici Araştırması

ÖNK

Özdemir

2022

Intermedia International E-Journal

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“…The increasing popularity of OTT (over the top) platforms has influenced the mode of production and media business practices as well. For instance, some YouTube series are transferred to paid streaming services (Arslan & Tetik, 2021). VoD (video on demand) platforms like BluTV and Netflix provide new business models and minimize creative limitations as compared to traditional production models (Yörükoğlu, 2019).…”

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Exploring local, experimenting with transnational: Producing Turkish television series

Bedir

2024

Global Media and Communication

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This study explores the factors influencing the rising global appeal of Turkish TV series, focusing on the production process and economic dynamics with the global and local media distribution of these dramas. It assesses how market-driven media production conditions and creative professionals’ roles influence the creation of Turkish series by interviewing nine industry insiders. The study found that market-oriented media practices and executives’ understanding of Turkish audience preferences significantly direct the creative output, which is predominantly aimed at local viewers.

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Over-the-top (OTT) platforms: a review, synthesis and research directions

Khanna,

Sehgal,

Gupta

et al. 2024

MIP

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PurposeIn this era of technological advancement, the capabilities of devices and telecommunications have changed the pattern of media consumption among consumers. This study examined the research landscape and advancements in OTT services.Design/methodology/approachThis study adopted a hybrid review consisting of bibliometric and thematic analyses to present advancements in the OTT platforms. A hybrid review integrates both systematic and narrative approaches by emphasizing a literature search strategy and the study selection process.FindingsThis study focuses on previous literature to understand recent developments in the domain. The authors derive six major OTT themes: OTT infrastructure and technology advancement, OTT consumption behaviour, shifting trends towards OTT platforms, viewers’ engagement in digital media, OTT in the global market, OTT policies and regulatory mechanisms.Practical implicationsThe findings of this study will be useful for marketers/stakeholders associated with the entertainment and media industries, such as sales promotion teams, media planners/advertisers, content management companies and policy regulators, to penetrate OTT viewers.Originality/valueThe literature related to OTT is progressively rising, but it remains highly fragmented because of inconsistencies in the methodologies and theories used in the domain of OTT. This study offers directions in terms of theory, methodology and future research on OTT services.

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Quality TV, Turkish Television History, and the Transformation of Sıfır Bir

Cited by 3 publications

References 12 publications

Gençler Yerli Dizileri Nasıl İzliyor? Türkiye’de Yeni Televizyon Ekosistemi Çerçevesinde Eleştirel Bir İzleyici Araştırması

Gençler Yerli Dizileri Nasıl İzliyor? Türkiye’de Yeni Televizyon Ekosistemi Çerçevesinde Eleştirel Bir İzleyici Araştırması

Exploring local, experimenting with transnational: Producing Turkish television series

Over-the-top (OTT) platforms: a review, synthesis and research directions

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