2017
DOI: 10.12977/stor661
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Rappresentare le guerre al museo

Abstract: In a museum the legitimacy of the representation of historical facts is socially, culturally and politically relevant. The museum, as the "guardian" of knowledge, has the commitment to communicate with its instruments the making of researches related to heritage on which discordant interpretations are confronted. The essay examines some war and conflict museums and their most important historiographic themes. Architecture and museography have the task of contributing to the elaboration of these themes.

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Cited by 2 publications
(2 citation statements)
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“…The evolution of museums in Italy has been widely studied and analyzed in literature, both with reference to specific museum categories [112][113][114][115][116][117] and as the object of relevant initiatives such as the ICOM congress of 2019 [118].…”
Section: The National Museum Sector's Evolutionmentioning
confidence: 99%
“…The evolution of museums in Italy has been widely studied and analyzed in literature, both with reference to specific museum categories [112][113][114][115][116][117] and as the object of relevant initiatives such as the ICOM congress of 2019 [118].…”
Section: The National Museum Sector's Evolutionmentioning
confidence: 99%
“…It is very simple to categorize museums according to the stylistic intentions (Basso Peressut, 1999), but this does not add any value to our ambient topology research. Moreover, many writers claim that the contemporary conception of museums began with the works of the Guggenheim of Salzburg, which is a very unique project with a very unique conception where the connection between different rooms is made by a mixed route.…”
Section: 421: Reading the Stylistic Tendencymentioning
confidence: 99%