Reader influence on the creation of transmedia science fiction: a participatory culture perspective

Abstract

The term “Participatory Culture” was first put forward by Henry Jenkins in the book Text Poacher with the aim of comparing participation and the bystander (Jenkins, 2015. Participatory culture in a networked era: a conversation on youth, learning, commerce, and politics. Polity Press, Cambridge, UK). The earliest example is the study of the cultural logic of fan groups (or “fan culture”). When it was later studied more extensively, it took on different meanings. It has greatly influenced novels in the cross-media creative environment, and this has not only helped to expand the imagination and inspiration of authors but has also enriched novel plots. It can also increase audience participation and reading enthusiasm. This paper takes China’s science fiction transmedia as its example to analyze the significance and role of Participatory Culture, and it does this with the intention of helping to provide suggestions for the development of transmedia fictions.

Current Research Status on Fan Economy at Home and Abroad

“…These investigations bring to the forefront the intricate social and economic dynamics embedded in modern fan practices across different cultural contexts. Furthermore, exploring the participatory culture perspective in transmedia science fiction unveils the substantial impact of reader engagement on the creation of narrative universes, emphasizing the evolving nature of fan involvement in content co-creation [9]. As the digital economy continues to shape creative industries, research on the link between digital advancements and creative development emphasizes the pivotal role of innovation efficiency in driving industry growth [10].…”