“…Most recent work on Horace has concentrated either on his status as a satirist or as a lyric poet; David Fairer (2011a) provides a rare consideration of the connections between the two genres. There have been discussions of the Horatianism of Pope (Haugen, 2019; Swidzinski, 2018), Swift (Cook, 2020, pp. 54–101), Stephen Duck (Batt, 2020) and several Neo‐Latin poets (Hale, 2018, 2020), often in the context of literary patronage and the points of contact and (more usually) departure between ancient and modern practices.…”