2013
DOI: 10.1080/09548963.2013.819657
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Reconceptualizing cultural participation in Europe: Grey literature review

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Cited by 27 publications
(25 citation statements)
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“…As the name implies, they only consider GL sources in their pool of reviewed sources. Many GLR studies have also appeared in other disciplines, e.g., in medicine or social science [37][38][39][40]. For example, a GLR of special events for promoting cancer screenings was reported in [37].…”
Section: Figure 2-relationship Among Different Types Of Systematic Sementioning
confidence: 99%
“…As the name implies, they only consider GL sources in their pool of reviewed sources. Many GLR studies have also appeared in other disciplines, e.g., in medicine or social science [37][38][39][40]. For example, a GLR of special events for promoting cancer screenings was reported in [37].…”
Section: Figure 2-relationship Among Different Types Of Systematic Sementioning
confidence: 99%
“…Kothari and Cooke 2001). Although previous studies have noted that such practices provide participants with benefits related to the cultural (Tomka 2013;Mandiola 2016;Stevenson, Balling, and Kann-Rasmussen 2017), social (Guillen, Coromina, and Saris 2011;Putnam 2000), economic (Deng and Meng 2013;Cobley 2013), and political dimensions of participation (Ivaldi, Bonati, and Soliani 2017), in this article we offer a more structural and critical account of the participation and activation paradigm and 'empowerment' discourse (see Ekholm and Lindström Sol 2019).…”
Section: Introductionmentioning
confidence: 95%
“…Antigamente, a participação na cultura simbolizava uma forma das instituições culturais se tornarem mais acessíveis através do envolvimento/interação com as audiências, sobretudo no que diz respeito a grupos tradicionalmente sub-representados em perfis de visitantes (Bonet & Négrier, 2018;Virolainen, 2016). Estudos sobre a participação na cultura refletem muitas vezes preocupações de política cultural nacional relativas à desigualdade na participação na cultura com financiamento público (Stevenson et al, 2017;Taylor, 2016;Tomka, 2013). Os números demonstram que as chamadas taxas de participação, quando relativas à participação em artes subsidiadas, estão a decrescer e já foi consistentemente demonstrado que estão relacionadas com o contexto socioeconómico (Stevenson et al, 2017;Taylor, 2016;Vestheim, 2007).…”
Section: Participação Na Política Culturalunclassified