2009
DOI: 10.1080/00393541.2009.11518783
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Reconceptualizing the Role of Creativity in Art Education Theory and Practice

Abstract: Reconceptualizing contemporary notions about creativity in visual arts education should be an important issue in art education today. Currently, creativity may not be a primary focus at National Art Education Association conferences or in its publications. There are recent indications that art education is a site where creativity can be developed and nurtured for all students with emphasis on both individual processes and cultural practices. It is advocated that through critical analysis of concepts related to… Show more

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Cited by 86 publications
(62 citation statements)
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“…While learners engage in the production of their works, they are made aware of the integration of the process and how they fit into the content of the e-Portfolio (Zimmerman, 2009). Meanwhile, peer engagement allows reflection (Eynon, 2012) by giving feedback and collaborating on each other's work on higher-order thinking throughout the meaningful process (Wade & Abrami 2005).…”
Section: Literature Reviewmentioning
confidence: 99%
See 1 more Smart Citation
“…While learners engage in the production of their works, they are made aware of the integration of the process and how they fit into the content of the e-Portfolio (Zimmerman, 2009). Meanwhile, peer engagement allows reflection (Eynon, 2012) by giving feedback and collaborating on each other's work on higher-order thinking throughout the meaningful process (Wade & Abrami 2005).…”
Section: Literature Reviewmentioning
confidence: 99%
“…As a resulted, Jones and Lau (2009) has proven that the scaffolding has a significant effect between the higher-order thinking skills and e-Portfolio learning context. It occur when learners engage in the production of their works, they are made aware of the integration of the process and how they fit into the content of the e-Portfolio (Zimmerman, 2009). Meanwhile, peer collaboration allows reflection by giving feedback and collaborating on each other's work on higher-order thinking throughout the meaningful process (Eynon, 2012;Wade & Abrami, 2005).…”
Section: E-portfolio As a Workpacementioning
confidence: 99%
“…Children cannot be taught to be creative by direct instruction but rather by exploring and experiencing environments that nurture creativity (French, 2007;Robinson, 2001;Upitis, 2011;Zimmerman, 2009). Critical thinking (and creative processes) draw from knowledge and skills that allow children to see things in new and different ways and to think unconventionally, to break boundaries and go beyond information provided (Jeffrey & Craft, 2004;Schirrmacher & Englebright Fox, 2009).…”
Section: The Teacher's Toolkit Organisational Policiesmentioning
confidence: 99%
“…Creativity is teachable and human beings' creativity is growing unless the restrictions on the gene (Davis, 1986;Markley, 1988). Creativity can be inspired through teaching strategies (Zimmerman, 2009), and can increase the students' professional knowledge and ability in the creativity teaching in some specific areas (Csikszentmihalyi, 1996;Gardner, 1999). Creativity is a powerful propellant for social transformation and economic growth (Shneiderman, Fischer, Czerwinski, Myers, & Resnick, 2005), and the continuing products and potentiality of service innovation need creative performance (Howard, Culley, & Dekoninck, 2008).…”
Section: Introductionmentioning
confidence: 99%