2009
DOI: 10.1080/13688790903232419
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Reconfiguring sex, body and desire in Japanese modernity

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Cited by 4 publications
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“…In addition, cross-dressing has been a prominent feature in Noh Theater since the fourteenth century and in Kabuki performances of the sixteenth century. The actors can be perceived as truly "performing" their gender, in particular the onnagata (men acting as women), similarly to the enigmatic geisha, a subject of many books, films, paintings, and prints, in which she embodies the aesthetics of eroticism (Pandey 2009). Such eroticism is also found in the artistic expression of Japanese poetry and narrative.…”
mentioning
confidence: 99%
“…In addition, cross-dressing has been a prominent feature in Noh Theater since the fourteenth century and in Kabuki performances of the sixteenth century. The actors can be perceived as truly "performing" their gender, in particular the onnagata (men acting as women), similarly to the enigmatic geisha, a subject of many books, films, paintings, and prints, in which she embodies the aesthetics of eroticism (Pandey 2009). Such eroticism is also found in the artistic expression of Japanese poetry and narrative.…”
mentioning
confidence: 99%