2016
DOI: 10.1177/1477971416672324
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Recycling stories: Lessons from community arts-based process and exhibition in Brazil

Abstract: How can we create meaningful adult education and engagement opportunities for people who work in the recycling industry in Brazil and suffer marginalisation? This question guided the development of a series of community arts-based workshops and public exhibits in São Paulo. In this article, we share the stories of two workers from the recycling industry (i.e. recyclers), and describe how they experienced the potential of art-making and public exhibits. We worked in collaboration with an environmental adult edu… Show more

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Cited by 3 publications
(3 citation statements)
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“…• Empower students to challenge the apparatus of oppression and exclusion perpetuated by museum displays; • Generate dialogue amongst students and museum educators about the role of museums as sites in/for critical pedagogy; • Engage students in the dialectical methodology where they can bring their own personal knowledge and experiences to create their art interventions (de Oliveira Jayme, Monk, & Tremblay, 2016). • Expose the need for multiple diverse and inclusive stories to be shared in and through museum exhibits.…”
Section: Learning and Transformative-emancipatory Objectivesmentioning
confidence: 99%
“…• Empower students to challenge the apparatus of oppression and exclusion perpetuated by museum displays; • Generate dialogue amongst students and museum educators about the role of museums as sites in/for critical pedagogy; • Engage students in the dialectical methodology where they can bring their own personal knowledge and experiences to create their art interventions (de Oliveira Jayme, Monk, & Tremblay, 2016). • Expose the need for multiple diverse and inclusive stories to be shared in and through museum exhibits.…”
Section: Learning and Transformative-emancipatory Objectivesmentioning
confidence: 99%
“…• Empower students to challenge the apparatus of oppression and exclusion perpetuated by museum displays; • Generate dialogue amongst students and museum educators about the role of museums as sites in/for critical pedagogy; • Engage students in the dialectical methodology where they can bring their own personal knowledge and experiences to create their art interventions (de Oliveira Jayme, Monk, & Tremblay, 2016). • Expose the need for multiple diverse and inclusive stories to be shared in and through museum exhibits.…”
Section: Learning and Transformative-emancipatory Objectivesmentioning
confidence: 99%
“…Expression of the role of the arts to this more individualised positioning of the problem is a matter of giving marginalised groups and community residents the tools for telling their own stories on their terms -hence to take upon themselves an active role as agents of change (Sarantou, Akimenko, & Escudeiro, 2018;Hyttinen & Taskanen, 2018;Miettinen, Sarantou, & Kuure, 2019;de Oliveira Jayme, Monk & Tremblay, 2016;De Piccoli et al, 2019). As a cornerstone in the preservation of Roma culture and heritage, it is also argued that, through art, the Roma can speak for themselves and create self-images in contrast to mainstream media representations of Roma people (Gunther, 2014).…”
Section: Social Exclusion Positioned As a Problem In The Marginalisedmentioning
confidence: 99%