2016
DOI: 10.24908/ss.v14i2.6005
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Reimagining Resistance: Performing Transparency and Anonymity in Surveillance Art

Abstract: In 2002, multimedia artist Hasan Elahi launched the project Tracking Transience, a website designed to make public his location and activity. Yet despite the complete disclosure of Elahi’s personal information in this format, Tracking Transience aims to enact a resistive posture to recent developments in digital surveillance. Rather than uphold claims to privacy, Elahi negotiates his security through the release of his personal information. Paradoxically, he voluntarily forgoes his privacy in order to feel mor… Show more

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Cited by 18 publications
(4 citation statements)
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“…In fact, in some cases increased data collection actually benefits the individual who uses these tactics. As Kafer (2016) notes, extensive self-surveillance has enabled artist Hasan Elahi to manipulate a narrative of his life that, on the one hand, seems detailed and true, but, on the other hand, leaves just enough pockets and gaps for him to achieve a certain degree of agency. Kafer notes that ‘because Elahi’s GPS coordinates and cell phone photography are only periodically updated, these intermittent updates allow for slippages in the complete disclosure of his activities, such that he could, for example, easily make trips to a storage unit in Florida if he had the chance’ (p. 236).…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…In fact, in some cases increased data collection actually benefits the individual who uses these tactics. As Kafer (2016) notes, extensive self-surveillance has enabled artist Hasan Elahi to manipulate a narrative of his life that, on the one hand, seems detailed and true, but, on the other hand, leaves just enough pockets and gaps for him to achieve a certain degree of agency. Kafer notes that ‘because Elahi’s GPS coordinates and cell phone photography are only periodically updated, these intermittent updates allow for slippages in the complete disclosure of his activities, such that he could, for example, easily make trips to a storage unit in Florida if he had the chance’ (p. 236).…”
Section: Discussionmentioning
confidence: 99%
“…For instance, two core assumptions that frequently underlie geosurveillance are that (1) data about us is always an accurate representation of ourselves, and that (2) this data can be used to calculate our future actions. The first assumption has been challenged by artist Hasan Elahi, who performed extensive self-surveillance, but did so in a way that allowed him to carefully construct a narrative about his life (Kafer, 2016). In other words, Elahi used the tactic of manipulation (wherein data is specifically crafted to produce an advantageous false narrative) to demonstrate how data about ourselves is malleable and subject to interpretation.…”
Section: Strategies For Resisting Geosurveillancementioning
confidence: 99%
“…The importance of transparent institutions has been a focus of both academic debate and public policies for some time (Kafer 2016). On the one hand, transparency is associated with governmental accountability and legitimacy (Taylor 2011; and discussed as a measure to enhance trust in governments and public institutions (Cucciniello and Nasi 2014;Kim and Lee 2012).…”
Section: The Institutionalist Take On Trust and Surveillance Attitudesmentioning
confidence: 99%
“…For a thorough and critical analysis of these practices of anti-surveillance camouflage, seeMonahan (2015) andKafer (2016).…”
mentioning
confidence: 99%