Representasi Gender Dalam Buku Teks Bipa

Susanto, Gatut

doi:10.21831/diksi.v29i2.42500

Cited by 7 publications

(7 citation statements)

References 13 publications

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“…In fact, the values of the teachings of Tri Hita Karana are philosophical values taken from the values of the teachings contained in the Vedas and the daily life of Balinese elders that are still relevant today to be practiced anywhere. Susanto (2018) in Diksi Seni Rupa (Diction of Fine Arts), the third edition of the collection of terms and movements, helps creators in using the language or terms of art in making scientific writings. The use of the language of the application of fine arts in written works makes it beautiful to read and easy to understand.…”

Section: Resultsmentioning

confidence: 99%

Tri Hita Karana: A contemporary sculpture creation

Sanjaya,

Adnyana,

Muka

2022

jacam

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Tri Hita Karana in Hinduism is the understanding of three main things that cause prosperity for human life which consist of Parhyangan, Pawongan, and Palemahan. The phenomenon stimulates creator to create a sculpture that aimed to provide an understanding related to Tri Hita Karana. The method applied in this creation uses five stages, namely the search for ideas, the search for materials, experiments, the embodiment of the work, and the presentation of the work. In this creation of three-dimensional works of art in the form of sculptures, the creator tries to express Tri Hita Karana issues with the concept of recycle, a process to turn used materials into new materials with the aim of preventing waste that can actually be turned into useful goods. The form of the work will be in the form of contemporary sculpture by displaying unique and authentic new forms. Keywords: Tri Hita Karana, recycle, contemporary sculpture.

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Section: Resultsmentioning

confidence: 99%

Tri Hita Karana: A contemporary sculpture creation

Sanjaya,

Adnyana,

Muka

2022

jacam

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“…P3 shows P1 how to visit other people's homes. Gender representation can be observed through the use of language that shows male and female gender identities (Susanto, 2021). Based on these data, the participant (1) who is represented by the female gender appears to be dominant in the clause.…”

Section: (A) Inference Analysismentioning

confidence: 99%

Gender Representation in Indonesian Language Textbooks: Critical Discourse Analysis

Putri,

Simpen,

Suparwa

et al. 2024

tpls

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This study aims to analyze the elements of discourse analysis regarding gender in the Indonesian Textbook. The data used in this study were texts in integrated thematic Indonesian textbooks for grade 2 elementary school. Gender representations based on micro and macrostructures of language analysis in Indonesian textbooks as the research problems of this analysis. This research uses data analysis methods with field methods with observations and interviews. The theory used in this study is the theory of discourse analysis by Dijk (1993). The results of this study indicated that there are discourse elements that show gender in texts such as microstructure and macrostructure. In the microstructure, grammatical elements are found which include references, omissions, and conjunctions. The macro elements found in integrated thematic textbooks for elementary school Indonesian are context, inference, and character values. Character values are implicitly described in the characters in the text. The micro and macrostructure in the data show the dominance of the female gender.

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“…Menurut Susanto (2002), bentuk adalah (1) lengkung, lentur; (2) bangun, gambaran; (3) rupa, wujud; dan (4) sistem, susunan. Berdasarkan teori tersebut, dapat dilihat hal sebagai berikut.…”

Section: Bentuk Topeng Barongan Kucingan DI Kabupaten Tulungagungunclassified

Bentuk dan Teknik Penggarapan Topeng Barongan Kucingan di Tulungagung

Klinsando

Ponimin

Anggriani

2023

JoLLA

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Topeng Barongan Kucingan adalah salah satu properti topeng yang ada dalam pertunjukan jaranan senterewe di Tulungagung, Jawa Timur. Topeng ini menggambarkan sosok yang memiliki watak angkara murka, serakah, ganas, menyeramkan, perkasa, dan keji. Topeng Barongan Kucingan sarat akan nilai mistis, bahkan dalam proses pembuatannya terdapat ritual-ritual tertentu yang dilakukan oleh pengrajin topeng Barongan Kucingan. Hal tersebut dilakukan agar ketika topeng Barongan Kucingan dipakai saat pertunjukan, penari dan penonton dapat merasakan energi dari roh gaib. Tujuan penelitian ini adalah untuk mendeskripsikan bentuk dan makna topeng Barongan Kucingan di Tulungagung. Selain itu, penelitian ini mendeskripsikan proses spiritual yang dilakukan pengrajin dalam proses pembuatan topeng Barongan Kucingan, penggarapan, dan teknik dalam pembuatan Topeng Barongan Kucingan di Tulungagung. Metode yang digunakan dalam penelitian ini menggunakan deskriptif kualitatif. Teknik pengumpulan data menggunakan observasi, dokumentasi, dan wawancara. Hasil penelitian ini, yaitu bentuk dasar yang ada pada topeng Barongan Kucingan, teknik penggarapan yang digunakan menggunakan teknik ukir dan sungging dimulai dari tahap persiapan, tahap penggarapan bentuk, tahap penggarapan ornamen, tahap penggarapan aksesoris, dan tahap finishing dan perakitan. Kata kunci: topeng barongan kucingan; mistis; penggarapan Forms and Techniques in Making Barongan Kucingan Masks in Tulungagung The Barongan Kucingan mask is one of the masks featured in the Senterewe-Jaranan performance in Tulungagung, East Java. This mask represents a character with an angry, greedy, vicious, scary, powerful but malevolent personality. Barongan Kucingan masks are imbued with mystical value and even during the manufacturing process, there are certain rituals performed by Barongan Kucingan mask artisans. This is done in order that once the Barongan Kucingan mask is worn throughout the performance, the dancers and the spectators will feel the energy from the supernatural spirit. The purpose of this research are to describe the form and meaning of the Tulungagung Barongan Kucingan mask and also the spiritual process carried out by the artisans while making the Barongan Kucingan mask, as well as the cultivation and techniques used to make the Tulungagung Barongan Kucingan mask. The methods used in this research are descriptive and qualitative. Data collection techniques are taken through observation, documentation and interviews. The result of this research are the basic shape of the Barongan Kucingan mask, cultivation techniques using carving and sungging techniques, starting from the preparation stage, shape processing stage, decoration processing stage, accessory processing stage, finishing and processing assembly stage. Keywords: barongan kucingan mask; mystical; techniques

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Representasi Gender Dalam Buku Teks Bipa

Cited by 7 publications

References 13 publications

Tri Hita Karana: A contemporary sculpture creation

Tri Hita Karana: A contemporary sculpture creation

Gender Representation in Indonesian Language Textbooks: Critical Discourse Analysis

Bentuk dan Teknik Penggarapan Topeng Barongan Kucingan di Tulungagung

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