Representation of Socio-historical Context to Support the Authoring and Presentation of Multimodal Narratives: The Mingei Online Platform

Partarakis, Nikolaos; Doulgeraki, Paraskevi; Karuzaki, Effie; Adami, Ilia; Ntoa, Stavroula; Metilli, Daniele; Bartalesi, Valentina; Meghini, Carlo; Marketakis, Yannis; Kaplanidi, Danai; Θεοδωρίδου, Μαρία; Zabulis, Xenophon

doi:10.1145/3465556

Cited by 14 publications

(20 citation statements)

References 39 publications

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“…In this subsection, we report on following the steps of this approach for textile manufacturing. The technical implementation of the approach for the formal and digital representation of the crafting process is supported by the Mingei Online Platform (MOP) [43], where digital assets and semantic metadata are organized in a formal representation compatible with contemporary digital preservation standards. The proposed approach is articulated in a sequence of phases, as illustrated in Figure 1.…”

Section: Methodsmentioning

confidence: 99%

“…The authors underline the importance of aligning and fine-tuning narrative styles and content to VHs, which should correspond to their roles in terms of appearance, and highlight the importance of effective components in their storytelling approach. In [43,44], the authoring of multimodal narratives through an online platform is presented. Furthermore, a study of alternative storytelling solutions [45] concludes that VHs presents an empathic medium capable of engaging with new audiences.…”

Section: Virtual Humansmentioning

confidence: 99%

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Multimodal Narratives for the Presentation of Silk Heritage in the Museum

Hauser¹,

Beisswenger²,

Partarakis

et al. 2022

Heritage

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In this paper, a representation based on digital assets and semantic annotations is established for Traditional Craft instances, in a way that captures their socio-historic context and preserves both their tangible and intangible Cultural Heritage dimensions. These meaningful and documented experiential presentations are delivered to the target audience through narratives that address a range of uses, including personalized storytelling, interactive Augmented Reality (AR), augmented physical artifacts, Mixed Reality (MR) exhibitions, and the Web. The provided engaging cultural experiences have the potential to have an impact on interest growth and tourism, which can support Traditional Craft communities and institutions. A secondary impact is the attraction of new apprentices through training and demonstrations that guarantee long-term preservation. The proposed approach is demonstrated in the context of textile manufacturing as practiced by the community of the Haus der Seidenkultur, a former silk factory that was turned into a museum where the traditional craft of Jacquard weaving is still practiced.

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Section: Methodsmentioning

confidence: 99%

Section: Virtual Humansmentioning

confidence: 99%

Multimodal Narratives for the Presentation of Silk Heritage in the Museum

Hauser¹,

Beisswenger²,

Partarakis

et al. 2022

Heritage

View full text Add to dashboard Cite

show abstract

“…In this subsection, we report on following the steps of this approach for glasswork. The technical implementation of the approach for the formal and digital representation of the crafting process is supported by the Mingei Online Platform (MOP) [46], where digital assets and semantic meta-data are organized in a formal representation compatible with contemporary digital preservation standards. The methodology is summarized in Figure 4.…”

Section: Crafting Process Modeling and Representationmentioning

confidence: 99%

“…In MOP [46,55], all knowledge elements are created through simple form filling operations. Each type of element has a dedicated Web form where the relevant meta-data are edited.…”

Section: Knowledge Representationmentioning

confidence: 99%

Mixed-Reality Demonstration and Training of Glassblowing

et al. 2022

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Traditional crafts exhibit tangible and intangible dimensions. Intangible dimensions include the practitioner’s gestural know-how in craft practice and have received smaller attention than tangible dimensions in digitization projects. This work presents the process of representation and presentation of the glasswork and is exemplified in the re-creation of a historical object. Following an articulated pipeline approach for data collection, annotation, the crafting process is represented visually and semantically in a way that can be meaningfully presented and utilized in craft training and preservation. The outcomes of the proposed approach were used to implement a Mixed Reality installation. The installation targets craft presentation through an exploration of the workspace, as well as craft training through an interactive experience where users re-enact gestures of a glass master holding a tool and receiving audiovisual feedback on the accuracy of their performance. Preliminary evaluation results show high acceptance of the installation and increased user interest.

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“…In ref. [15], the authors underline the importance of aligning and fine-tuning the narrative styles and contents of the VHs, which should correspond in terms of appearance to their roles, and they highlight the importance of affective components in their storytelling approach. Under these conditions, the virtual experience stimulates attention and involvement [16][17][18] and thus can make the stories presented more credible and thereby influence the users positively and constructively.…”

Section: New Media In the Museummentioning

confidence: 99%

Supporting Sign Language Narrations in the Museum

et al. 2021

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The accessibility of Cultural Heritage content for the diverse user population visiting Cultural Heritage Institutions and accessing content online has not been thoroughly discussed. Considering the penetration of new digital media in such physical and virtual spaces, lack of accessibility may result in the exclusion of a large user population. To overcome such emerging barriers, this paper proposes a cost-effective methodology for the implementation of Virtual Humans, which are capable of narrating content in a universally accessible form and acting as virtual storytellers in the context of online and on-site CH experiences. The methodology is rooted in advances in motion capture technologies and Virtual Human implementation, animation, and multi-device rendering. This methodology is employed in the context of a museum installation at the Chios Mastic Museum where VHs are presenting the industrial process of mastic processing for chewing gum production.

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Representation of Socio-historical Context to Support the Authoring and Presentation of Multimodal Narratives: The Mingei Online Platform

Cited by 14 publications

References 39 publications

Multimodal Narratives for the Presentation of Silk Heritage in the Museum

Multimodal Narratives for the Presentation of Silk Heritage in the Museum

Mixed-Reality Demonstration and Training of Glassblowing

Supporting Sign Language Narrations in the Museum

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