2019
DOI: 10.3390/beverages5010026
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Rethinking Luxury for Segmentation and Brand Strategy: The Semiotic Square and Identity Prism Model for Fine Wines

Abstract: Positioning a fine wine is a complex marketing operation which tends to focus on product characteristics and tends to ignore the consumer–brand relationship. As for other luxury products, fine wine consumers are a heterogeneous group which can be broken down into clearly distinctive and often antithetical subgroups. This conceptual paper proposes a different approach to defining fine wine consumers and the brand–consumer interaction. The Aristotle-inspired semiotic square model and Kapferer’s brand identity pr… Show more

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Cited by 4 publications
(5 citation statements)
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“…These are for the traditional parameters of our findings such as the region of origin [10], the variety of grapes [14], the price [15], and the quality certificates [18], and for the sustainability parameters [17,56], the organic [22], without alcohol [25], and without sulfite [21]. Furthermore for the organoleptic parameters of our findings similar results are recorded too [73,74], and for the appearance parameters such as brand name [16], and labeling [51].…”
Section: Discussionsupporting
confidence: 85%
See 1 more Smart Citation
“…These are for the traditional parameters of our findings such as the region of origin [10], the variety of grapes [14], the price [15], and the quality certificates [18], and for the sustainability parameters [17,56], the organic [22], without alcohol [25], and without sulfite [21]. Furthermore for the organoleptic parameters of our findings similar results are recorded too [73,74], and for the appearance parameters such as brand name [16], and labeling [51].…”
Section: Discussionsupporting
confidence: 85%
“…The main selection drivers are the country of origin and the region of production [13]. Variety of grapes [14], cost [15], and branding [16] are key parameters for wine selection. Sustainability has also become a key issue for the consumers and the industry [17].…”
Section: Literature Reviewmentioning
confidence: 99%
“…Consequently, a significant body of academic knowledge is emerging, focusing on defining luxury wine and uncovering its consumption characteristics (Wolf et al, 2016;Baker and Nenonen, 2020). In fact, in the context of luxury consumption, luxury wine is very often interchangeably referred to as premium (Baker and Nenonen, 2020;Sung et al, 2020), ultra-premium (Beverland, 2005), prestigious (Lee and Luster, 2015), fine (Galli et al, 2019) or high-end (Donz e and Katsumata, 2021). As such, academics have reached no consensus on what defines luxury wine and its differences from the abovementioned nomens.…”
Section: Luxury Wine Consumption 679mentioning
confidence: 99%
“…In fact, in the context of luxury consumption, luxury wine is very often interchangeably referred to as premium (Baker and Nenonen, 2020; Sung et al. , 2020), ultra-premium (Beverland, 2005), prestigious (Lee and Luster, 2015), fine (Galli et al. , 2019) or high-end (Donzé and Katsumata, 2021).…”
Section: Introductionmentioning
confidence: 99%
“…Moreover, the sensory characteristics of the wine [12], the variety of grapes [13], the region of origin [14], the branding [15], the packaging, and the label [16][17][18] seem to affect consumers to a different degree. Well-known brands are more likely to be trusted when consumers have no experience with the product [19].…”
Section: Introductionmentioning
confidence: 99%