“…Ethnography in contemporary settings through local people's knowledge with evidence of associated hand stencil production remains a significant and almost entirely unexplored means to interrogate past-present rock art practices. Communities in the western Pacific region continue to create rock art and have knowledge of its creation and significance (e.g., see Ballard, 1992;Lamb et al, 2021;Rosenfeld, 1988;Sand et al, 2006Sand et al, , 2021Specht, 1979;Wilson, 2002;Wilson & Ballard, 2018). In particular, hand stencils in Papua New Guinea (PNG), are still relevant to contemporary societies (Edwards & Sullivan, 2008;Gabriel & Gorecki, 2014;Gorecki & Jones, 1987a, 1987bTsang et al, 2020Tsang et al, , 2021Tsang et al, , 2022 and an opportunity is presented to explore social and cultural contexts through ethnographic methodologies.…”