Saluang Dendang Sirompak dalam Tradisi Ritual Magis di Payakumbuh: Satuan Kajian Karakteristik Musikal

Ediwar, Ediwar; Hanefi, Hanefi; Minawati, Rosta; Yulika, Febri

doi:10.26742/panggung.v30i4.1369

Cited by 3 publications

(3 citation statements)

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“…Academics from Padang Panjang Art Institute turned this ritual into a performance by commodifying the content of this ritual. The commodification of this content is important for the preservation of the cultural heritage of the sirompak ritual (Ediwar, Hanefi, Minawati, & Yulika, 2020). This has also greatly impacted the development of cultural tourism attractions in West Sumatra to bring in more visitors.…”

Section: Resultsmentioning

confidence: 99%

Development Model of Traditional Ritual Festivalization as Cultural Tourism Attraction in Padang Panjang City, West Sumatra

Harrisa,

Kristanto,

Sendra

et al. 2023

ajosh

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Traditional rituals were part of the daily life of the Minangkabau and Mentawai indigenous peoples in the past. Since the arrival of Islam, the understanding that has developed in Minangkabau society is "adat basandi syarak, syarak basandi Kitabullah", which means that adat refers to Shari'a, Shari'a refers to the Koran. Halal branding has become a framework for developing tourism in West Sumatra which has resulted in tensions with the indigenous Mentawai people who do not adhere to Islam. The Festival Ritual Nagari raised in this thesis raises both rituals from the culture of the Minangkabau and Mentawai indigenous peoples. This thesis discusses the festivalization of traditional rituals carried out in the city of Padang Panjang, West Sumatra. This research aims to enrich cultural tourism attractions that are inclusive of Mentawai traditional culture so as to achieve the common goal of increasing visitors to West Sumatra. This research was conducted in a qualitative descriptive manner with cultural thematic analysis methods. In-depth interviews were conducted with stakeholders involved in developing the traditional ritual festival in Padang Panjang. The results of this study indicate that the development of traditional rituals as a cultural tourism attraction requires a development model so that the ritual festivals carried out can be sustainable. This study shows that the collaboration of stakeholders greatly influences the continuity of traditional ritual festivals. In addition to the development model, an event management flow chart for the Festival Ritual Nagari 2 and the 2023-2026 Nagari Festival Ritual event calendar were also found. The active collaboration of all stakeholders is suggested so that the Festival Ritual Nagari can be carried out continuously in the future. The establishment of regulations regarding the festival of traditional rituals is needed because it does not only function as a cultural tourism attraction but also cultural diplomacy.

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Section: Resultsmentioning

confidence: 99%

Development Model of Traditional Ritual Festivalization as Cultural Tourism Attraction in Padang Panjang City, West Sumatra

Harrisa,

Kristanto,

Sendra

et al. 2023

ajosh

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“…Pengolahannya dirasakan atas cita-rasa masyarakat lingkungannya. Cita rasa disini mempungai pengertian yang luas, termasuk "nilai kehidupan tradisi", pandangan hidup, pendekatan falsafah, rasa etis dan estetis serta ungkapan budaya lingkungan (Ediwar, 1999:93;Ediwar, dkk. 2010;230).…”

Section: Pendahuluanunclassified

‘Dagam’ Kesenian Indang di Desa Mangoe Kabupaten Padang Pariaman Provinsi Sumatera Barat

Bur,

Anas,

Haris

et al. 2022

JMEN

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ABSTRAKKesenian indang Pariaman adalah salah satu kesenian tradisi bernafaskan Islam. Namun seiring dengan perkembangan sosial budaya masyarakat pendukungnya, kesenian ini mengalami perkembangan menjadi kesenian rakyat yang tidak lagi dipertunjukan di surau, tetapi diluar surau, seperti di tempat-tempat terbuka, rumah-rumah penduduk, panggung pertunjukan, laga,laga dan sebaginya. Selain itu terjadi juga perkembangan dari segi teks, struktur sajian, bentuk penyajian, dan bahkan sistem pengelolaan. Indang memiliki struktur permainan yang terdiri dari darak panjang, imbauan lagu, darak pendek, nyanyian atau lagu, darak panjang. terdapat beberapa macam darak diantaranya: darak tujuah, darak kupak kapiak, darak tereang ka tereang, yang mana setiap pola awal atau pembuka darak berda-beda, hal ini lah yang menjadi pedoman oleh para anak Indang agar mengetahui darak apa yang akan dimainkan. Karya komposisi musik karawitan yang berjudul “Dagam” ini terinspirasi dari kesenian tradisi indang Pariaman yaitu pada darak tereang ka tereang. Pada darak tereang ka tereang tersebut pengkarya tertarik pada pola awal yang memiliki siklus pola yang lebih panjang dari pada darak yang lain. Dalam pengamatan pengkarya terhadap darak tereang ka tereang yang memiliki siklus pola yang panjang ini, pengkarya juga menemukan berbagai motif ritem yang dapat dikembangkan kembali. Karya komposisi musik “Dagam” ini digarap dengan menggunakan metode pendekatan tradisi. mewujudkan ide/gagasan yang bersumber dari kesenian Indang Pariaman, yang terinspirasi dari darak tereang ka tereang dengan menggunakan pendekatan tradisi yang berjudul “Dagam” disajikan dalam bentuk pertunjukan secara lansung. Melalui garapan karya komposisi music “Dagam” pengkarya mencoba menghadirkan beberapa bentuk inovasi (kebaruan) dalam berbagai aspek garap sesuai dengan konsep yang ditawarkan. Kata Kunci: Indang Piaman; Darak Tereang ka Teranag; Pendekatan Tradisi ABSTRACT Indang is one of the performing arts with Islamic breath in Minangkabau. However, along with the socio-cultural development of the supporting community, This performing art has developed into a folk performing art which is no longer performed in surau, but outside the surau, such as in open places, people's houses, stage performances, fights, matches and so on. In addition, there have also been developments in terms of text, presentation structure, form of presentation, and even management systems. Indang has a game structure consisting of a long darak, an appeal to a song, a short darak, a song or song, a long darak. There are several types of darak including: darak tujuah, darak kupak kapiak, darak tereang ka tereang, where each initial pattern or opening of darak is different, this is the guideline for Indang children to know what darak will be played. This musical composition entitled "Dagam" was inspired by the traditional art of Indang Pariaman, namely darak tereang ka tereang. In the darak tereang ka tereang, the author is interested in the initial pattern which has a longer pattern cycle than the other daraks. In the artist's observation of the darak tereang ka tereang which has a long pattern cycle, the artist also finds various rhythmic motifs that can be redeveloped. The musical composition "Dagam" was worked on using the traditional approach method. realizing ideas/ideas originating from the art of Indang Pariaman, which was inspired by darak tereang ka tereang by using a traditional approach entitled “Dagam” presented in the form of a live performance. Through the work of the musical composition "Dagam" the artist tries to present several forms of innovation (newness) in various aspects of working according to the concept offered. Keywords: Indang Pariaman; Initial Pattern; Darak Tereang ka Tereang; Tradition Approach

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“…These oral traditions include the Cenning Rara oral tradition in Sulawesi (Muhsyanur, 2020), the Batalah oral tradition in West Kalimantan (Herlina, 2022;Suparman et al, 2021), the Sirompak in Sumatra (Ediwar et al, 2020;Ikhwana, 2020), and stood firmly in the palace community for generations, cannot be denied its role in establishing the palace identity and arrangement with the shahada as the foundation of Islamic religious teachings (Asni, 2017).…”

Section: Introductionmentioning

confidence: 99%

The oral tradition of <em>Syahadat Kures</em> : Core and initial foundations of Surakarta Kasunanan palace rule, Central Java Indonesia

Gumelar,

Sumarwati,

Saddhono

2024

Multidiscip. Rev.

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Syahadat Kures is an oral tradition of Surakarta Kasunanan palace, typically practiced in rituals as a means of communication with perceived supernatural powers. This oral tradition adheres to the customs and patterns of life within palace community. This article aims to describe the content, meaning, and role of Syahadat Kures in the lives of the people residing in Surakarta Kasunanan palace. This research employs a qualitative descriptive approach with an ethnographic methodology. Data collection involves observation and literature review. The research employed purposive sampling and snowball sampling techniques. The research results encompass two aspects: (1) a description of the content, meaning, and direct role of Syahadat Kures in the lives of the people residing in Surakarta Kasunanan palace, and (2) the implementation of Islamic values in the domains of government, art, and culture at Surakarta Kasunanan palace. The effect of practicing Syahadat Kures is to obey God's commands and avoid God's prohibitions. This influence affects many parts of life in Surakarta Kasunanan palace, notably governance, arts, and culture. All these elements have meanings and purposes that are directly tied to Islamic beliefs. Thus, Syahadat Kures plays an essential role in the growth of Islamic preaching, particularly to the population of Surakarta Kasunanan palace. This study is intended to aid other researchers, particularly those working in culture, history, and religion.

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Saluang Dendang Sirompak dalam Tradisi Ritual Magis di Payakumbuh: Satuan Kajian Karakteristik Musikal

Cited by 3 publications

References 0 publications

Development Model of Traditional Ritual Festivalization as Cultural Tourism Attraction in Padang Panjang City, West Sumatra

Development Model of Traditional Ritual Festivalization as Cultural Tourism Attraction in Padang Panjang City, West Sumatra

‘Dagam’ Kesenian Indang di Desa Mangoe Kabupaten Padang Pariaman Provinsi Sumatera Barat

The oral tradition of <em>Syahadat Kures</em> : Core and initial foundations of Surakarta Kasunanan palace rule, Central Java Indonesia

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