Sambas De Umbigada: Considerações Sobre Jongo, Performance, Ritual E Cultura

Silva, Renata de Lima

doi:10.12957/tecap.2010.12142

Cited by 1 publication

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“…As already pointed by Silva (2010a) in a paper entitled Sambas de Umbigada: considerações sobre jogo, performance, ritual e cultura, the Bahian Edson Carneiro (1961), instead of batuque chooses for the term samba, from semba, which in the banto Africa means umbigada [someone's navel touching the other one's]. Thus, for Carneiro (1961), the Sambas de Umbigada comprise a set of manifestations characterized by the presence of umbigada or the mention of this gesture, characteristic of the banto-African ludic love dances.…”

Section: Batuque: Music and Dancesupporting

confidence: 59%

“…Already in 1961, Edison Carneiro, in his classic book Sambas de Umbigada, evidences that in all the wide area of sugar cane, tobacco, cotton and coffee plantations, as well as in the mining works of which people from Angola and the Congo effectively took part, batuques were present, being called by the as Sambas de Umbigada. As already pointed in Silva (2010a), these forms of expression, initially rural, being played in farmyards, in contemporary times are in different urbanization processes, including the phenomenon of appropriation by the big capitals, as it has happened in São Paulo, Rio de Janeiro and Curitiba, for instance, to where some traditional expressive manifestations of the interior or other regions of the country migrated and are being resignified.…”

Section: Batuque: Music and Dancementioning

confidence: 95%

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Performance Negra e a Dramaturgia de Corpo no Batuque

Silva

Rosa

2017

Rev. Bras. Estud. Presença

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-Black Performance and Body Dramaturgy in the Batuque -The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which radically separated art from grassroots culture, putting creation and tradition in different poles. This shift of paradigm opens the possibility of thinking the body dramaturgy of the African-Brazilian rituals as a construct of the relationship between body and ancestry. It is in this perspective that this paper presents a discussion on the black performance of batuque, more specifically the Suça, from Natividade (TO/Brazil). Keywords: Dramaturgy. Body. Batuque. Afro-Brazilian Performance. RÉSUMÉ -Performance Afro-Brésilienne et Dramaturgies Corporelles desBatuques -Une importante contribution de l'ethnocenologie et des études de la performance dans le domaine de l'art de la scène est l'expansion de ce qui put être considère comme la scène ou comme le spectacle, en brisant les frontières, fondées sur le colonialisme du savoir, qui ont séparé radicalement l'art de la culture populaire, en polarisant la création et la tradition. Cette rupture de paradigme ouvre la possibilité de penser les dramaturgies corporelles présentes dans les rituels african-brésiliens comme une construction de la relation entre le corps et l'ancestralité. C'est dans cette perspective que cet article présente une discussion sur la performance african-brésilienne des batuques, plus précisément la Suça, de la ville de Natividade, située dans l'état du Tocantins, au Brésil. Mots-clés: Dramaturgie. Corps. Batuque. Performance Afro-Brésilienne. RESUMO -Performance Negra e a Dramaturgia de Corpo no Batuque -Uma importante contribuição da Etnocenologia e dos Estudos da Performance para o campo de estudo das Artes Cênicas é a ampliação do que pode ser considerado como cena, espetáculo ou performance, rompendo fronteiras, calcadas no colonialismo do saber, que separaram radicalmente arte e cultura popular, polarizando criação e tradição. Essa quebra de paradigma abre a possibilidade de pensar as dramaturgias corporais presente nos rituais afro-brasileiros como um constructo da relação corpo e ancestralidade. É nessa perspectiva que o presente artigo apresenta uma discussão sobre a performance negra dos batuques, mais especificamente a Suça, da cidade de Natividade, estado do Tocantins. Palavras-chave: Dramaturgia. Corpo. Batuque. Performance Negra.

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Section: Batuque: Music and Dancesupporting

confidence: 59%

Section: Batuque: Music and Dancementioning

confidence: 95%