“…This can also lead to the criticism that philanthropy is a plaything of the privileged, wealthy and elite, derived from ill-gotten gains, misused as a way of sanitising public profiles, and often misdirected to unworthy causes like excellence in the arts rather than basic human needs, or used in ways that accept and rarely challenge the systemic and underlying root causes of the activities being supported (Breeze, 2021;Buchanan, 2019;Bull & Steinberg, 2021;Hall, 2013;Irfan, 2021;Jung & Harrow, 2015;Sulek, 2010). Furthermore, unless grantmaking institutions consider with rigour the origins of their wealth and what was originally ingrained into their operating ethos and culture, they are not able to determine fully how their history feeds into their present ways of working and whether their founding principles limit their legitimacy to do good now (Irfan, 2021). However, the critiques presented are familiar, especially when one considers them in the context of falling public trust in philanthropy, and ongoing debates, both in the philanthropic and wider non-profit sector, about the ways in which philanthropy, including institutional philanthropy, is perceived as operating in opaque and unaccountable ways, particularly in relation to how decisions are made and who makes them, how the wealth has been created, and how onerous the grant reporting processes and demands are and the reasons for this, and the overall effectiveness of the grantmaker's work (Breeze, 2021;Irfan, 2021;Jung & Harrow, 2015).…”