Oxford Music Online 2001
DOI: 10.1093/gmo/9781561592630.article.25454
|View full text |Cite
|
Sign up to set email alerts
|

Serenade

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...

Citation Types

0
1
0

Year Published

2010
2010
2021
2021

Publication Types

Select...
1
1

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 0 publications
0
1
0
Order By: Relevance
“…Further motivation for using music to explore population-level diurnal patterns comes from historic evidence for a link between time of day and musical content. For instance, there are cyclic differences in music composed for the Liturgy of the Hours in Western Christianity, and Western serenades and nocturnes are often intended for performance in the evening [23]. A similar awareness of time of the day can be found in the Hindustani music tradition, wherein a raga is often intended for specific time windows of the day to maximize its emotional impact [24,25].…”
mentioning
confidence: 99%
“…Further motivation for using music to explore population-level diurnal patterns comes from historic evidence for a link between time of day and musical content. For instance, there are cyclic differences in music composed for the Liturgy of the Hours in Western Christianity, and Western serenades and nocturnes are often intended for performance in the evening [23]. A similar awareness of time of the day can be found in the Hindustani music tradition, wherein a raga is often intended for specific time windows of the day to maximize its emotional impact [24,25].…”
mentioning
confidence: 99%