Si̇nemada Tehli̇keli̇ Bi̇r Sokak Tasarlamak: Neo-Noi̇r’da Zaman, Mekân Ve Anlati

Avcı, İkbal Bozkurt

doi:10.47107/inifedergi.978378

Cited by 2 publications

(2 citation statements)

References 3 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…It is a genre that incorporates renewed plots, content, visual effects or media not found in the noir films of the 1940s and 1950s. (See:Avcı, 2022).…”

mentioning

confidence: 99%

In the Dark World of Dark City: Cinematographical Narrative, Mythological Elements and Psychoanalytic Perspective Dark Ci̇ty’ni̇n Karanlik Dünyasinda: Si̇nematografi̇k Anlati, Mi̇toloji̇k Öğeler Ve Psi̇kanali̇ti̇k Perspekti̇f

SUNAL

2021

İAUSBD

View full text Add to dashboard Cite

Cinema has been influenced by mythology since the first years of its invention. Mythological elements, which are frequently used in today's cinema, are used as an important reference. Cinema strengthens the narrative language by reproducing myths and creating new myths. Cinema, which has a strong and effective aspect in this respect, reflects the unconscious of the masses in human history. Considering the similarities of cinema with mythology, dream and reality are intertwined while cinema reshapes reality. Both cinema and mythology use experiences that are constantly repeated throughout generations through archetypes that have been in our collective unconscious since ancient times. Therefore, today, cinema appears as a reshaped form of mythology. In this process, film directors have almost become myth-tellers. At this point, cinema, just like myths, has changing and even transformative effects on society. Especially with the studies of writer Joseph Campbell in the field of mythology, the "monomyth" theory -the hero's journey -was adapted to the filmmaking process in cinema. An example of the work that offers a different cinematic experience is the movie "Dark City" (1998), directed by Alex Proyas, which deals with sociopolitical, scientific and philosophical themes as well as mythological elements. Functionally, the film makes one think about the questioning of human nature and the concepts of identity and memory. The journey of John Murdoch, the protagonist of the film, is designed in accordance with Joseph Campbell's theory of the hero's journey. The hero's journey is a fictional structure frequently used in mythological stories. The hero's journey in the movie "Dark City" follows the outline of Joseph Campbell's hero's journey scheme. The hero breaks away from his normal life and finds himself in an adventure where reality is questioned. This adventure provides opportunities for his personal growth and transformation, and eventually the hero discovers his true identity and power. "Dark City" is a science fiction film inspired

show abstract

“…It is a genre that incorporates renewed plots, content, visual effects or media not found in the noir films of the 1940s and 1950s. (See:Avcı, 2022).…”

mentioning

confidence: 99%

In the Dark World of Dark City: Cinematographical Narrative, Mythological Elements and Psychoanalytic Perspective Dark Ci̇ty’ni̇n Karanlik Dünyasinda: Si̇nematografi̇k Anlati, Mi̇toloji̇k Öğeler Ve Psi̇kanali̇ti̇k Perspekti̇f

SUNAL

2021

İAUSBD

View full text Add to dashboard Cite

show abstract

“…It is a genre that incorporates renewed plots, content, visual effects or media not found in the noir films of the 1940s and 1950s. (See:Avcı, 2022).…”

mentioning

confidence: 99%

Untitled

2021

İAUSBD

View full text Add to dashboard Cite

show abstract

Si̇nemada Tehli̇keli̇ Bi̇r Sokak Tasarlamak: Neo-Noi̇r’da Zaman, Mekân Ve Anlati

Cited by 2 publications

References 3 publications

In the Dark World of Dark City: Cinematographical Narrative, Mythological Elements and Psychoanalytic Perspective Dark Ci̇ty’ni̇n Karanlik Dünyasinda: Si̇nematografi̇k Anlati, Mi̇toloji̇k Öğeler Ve Psi̇kanali̇ti̇k Perspekti̇f

In the Dark World of Dark City: Cinematographical Narrative, Mythological Elements and Psychoanalytic Perspective Dark Ci̇ty’ni̇n Karanlik Dünyasinda: Si̇nematografi̇k Anlati, Mi̇toloji̇k Öğeler Ve Psi̇kanali̇ti̇k Perspekti̇f

Untitled

Contact Info

Product

Resources

About