Slovenian Recordings on 78 RPM Records

Kunej, Drago

doi:10.3986/traditio2014430201

Traditiones

2014

DOI: 10.3986/traditio2014430201

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Slovenian Recordings on 78 RPM Records

Drago Kunej

Abstract: traditiones, 43 (2), 2014 UVOD Na začetku 20� stoletja se je uveljavila tehnologija snemanja in reprodukcije zvoka z gramofonom, ki je zaradi tehnološke preprostosti, nizke cene in možnosti za množično proizvodnjo gramofonskih plošč kmalu popolnoma prevladala na tržišču ter izpodrinila dotedanji fonograf in zapis zvoka na voščene valje� Na gramofonskih ploščah so prevladovali predvsem posnetki glasbe, kar je kmalu močno vplivalo tako na njeno izvajanje kakor tudi poslušanje� Zvočni posnetki slovenske glasbe na… Show more

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Cited by 6 publications

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Following the black spiral: Old voices, new life (Towards the history of the early commercial gramophone records in Bulgaria)

Dimov

2022

Muzikologija

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The earliest surviving sound evidence of music and musicians from Bulgaria is on commercial gramophone records from the early XX century. Although unique sources for ethnomusicological and historical research, these commercial recordings are little known and almost unexplored. The proposed text sets out to collect and describe information on the first decade of commercial gramophone recordings in Bulgaria. The basis for the research is sound evidence from scholarly and museum archives and private collections; music company catalogues, labels on gramophone records, discographies; and supporting information - texts and advertising images from newspapers, memoirs and memoir literature as primary and secondary sources. The sought ethnomusicological approach is achieved through a combination of different research methods: ethnographic, historical, discographic, cultural, anthropological. The results of the research present the role of commercial recordings in musical and popular culture in Bulgaria in the years leading up to the First World War, cultural life, musical history, musicing, intercultural interactions, the cultural choices of Western and local, Slavic and Balkan, traditional music in non-traditional modern contexts, art music in popular contexts, and the role of professional musicians.

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Following the black spiral: Old voices, new life (Towards the history of the early commercial gramophone records in Bulgaria)

Dimov

2022

Muzikologija

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Old Gramophone Records as an Ethnochoreological Resource

Kunej

2014

Traditiones

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Ko je bil leta 1934 ustanovljen Folklorni institut, predhodnik današnjega Glasbenonarodopisnega inštituta ZRC SAZU, in so bili s tem postavljeni institucionalni temelji za raziskovanje slovenske glasbene folklore, je bilo v ustanovni listini med nalogami inštituta med drugim zapisano tudi zvočno snemanje ljudske glasbe in raziskave ljudskih plesov. Vendar sta bili ti nalogi inštituta v polnosti izpolnjeni šele mnogo let pozneje. Je pa bilo že dobri dve desetletji pred ustanovitvijo inštituta moč v Ljubljani kupiti gramofonske plošče, ki me kot etnokoreologinjo, zaposleno na inštitutu 80 let po njegovi ustanovitvi, posebej vznemirjajo in me spodbujajo k novim premislekom o ljudskem plesu na Slovenskem in njegovemu raziskovanju.Izdaje starih gramofonskih plošč sodijo v čas pred začetki slovenske etnokoreologije. Po mnenju Mirka Ramovša (1995Ramovša ( , 1980

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“It’s So Pleasant in the Countryside”: The Perception of Folk Songs and the Folk on Gramophone Recordings before the Second World War

Klobčar

2014

Traditiones

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Opazovanje izbora pesemskega gradiva, ki zaznamuje zgodnje obdobje izdajanja gramofonskih plošč, zelo zgovorno razkriva glasbeni okus in predstavni svet ljudi, ki so jim bile te zvočne objave namenjene, hkrati pa omogoča širši pogled na oblikovanje popularnega in njegovo razumevanje. 1 Te presoje, umeščene v konkretne družbenozgodovinske okoliščine, so toliko bolj zgovorne zato, ker čas prvih gramofonskih plošč na Slovenskem v precejšnji meri sovpada z najbolj produktivnim knjižnim objavljanjem ljudskega pesemskega izročila-z izdajanjem slovenskih ljudskih pesmi. Knjižno objavljanje slovenskih ljudskih pesmi, kot ga je vodil po-1 Uporabljam izraz popularna kultura, ne množična kultura, čeprav so ti »proizvodi … posredovani skozi množične medije in jih je mogoče neskončno reproducirati«, in sicer v smislu, da »najizraziteje zaznamuje življenje večine ljudi« in ni vezana na družbene sloje (Muršič 2002: 63).

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Slovenian Recordings on 78 RPM Records

Cited by 6 publications

References 11 publications

Following the black spiral: Old voices, new life (Towards the history of the early commercial gramophone records in Bulgaria)

Following the black spiral: Old voices, new life (Towards the history of the early commercial gramophone records in Bulgaria)

Old Gramophone Records as an Ethnochoreological Resource

“It’s So Pleasant in the Countryside”: The Perception of Folk Songs and the Folk on Gramophone Recordings before the Second World War

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