1966
DOI: 10.1080/00224545.1966.9919661
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Some Transcultural Comparisons of Esthetic Judgment

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Cited by 44 publications
(14 citation statements)
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“…Comparisons of art experts in Japan and the United States have demonstrated that whilst there is some cross cultural agreement in expert aesthetic evaluation (Iwao and Child, 1966 ), as a whole evidence points towards universal aesthetic exceeding the bounds of “culture” as we classify it (Child and Siroto, 1965 ; Ford et al, 1966 ; Child and Iwao, 1968 ; Iwao et al, 1969 ). Soueif and Eysenck ( 1971 ) and Eysenck and Soueif ( 1972 ) recruited British and Egyptian art students and lay people (non-art trained participants) to explore aesthetic responses.…”
Section: Cross Cultural Differencesmentioning
confidence: 99%
“…Comparisons of art experts in Japan and the United States have demonstrated that whilst there is some cross cultural agreement in expert aesthetic evaluation (Iwao and Child, 1966 ), as a whole evidence points towards universal aesthetic exceeding the bounds of “culture” as we classify it (Child and Siroto, 1965 ; Ford et al, 1966 ; Child and Iwao, 1968 ; Iwao et al, 1969 ). Soueif and Eysenck ( 1971 ) and Eysenck and Soueif ( 1972 ) recruited British and Egyptian art students and lay people (non-art trained participants) to explore aesthetic responses.…”
Section: Cross Cultural Differencesmentioning
confidence: 99%
“…Irvin Child and his associates brought photographs of famous Western paintings to Japan, Pakistan, Greece; Egypt, and other field settings (Anwar and Child 1972; Ford et al 1966;Haritos-Fatouros and Child 1977;Iwao and Child 1966). Subjects had to choose the painting that they 'liked better' when presented with two pieces of work.…”
Section: Definitions Of Creativitymentioning
confidence: 99%
“…Dané výsledky lze vysvětlit buďto tím, že jsou lidské preference určeny primordiálními smyslovými mechanismy sdílenými všemi lidmi (a pravděpodobně i příbuznými primáty; shoda v estetických preferencích totiž do jisté míry platí i na některé neživé předměty a umělecká díla, viz např. Child & Siroto, 1965;Ford, Prothro & Child, 1966;nebo Iwao, Child & García, 1969), nebo tím, že se neurální mechanismy zaměřené na zpracovávání živých objektů (zvířat) vyvinuly v odpovědi na selekční tlak, který ovlivňoval předky člověka v minulosti. Obě hypotézy se navíc vzájemně nevylučují.…”
Section: Mezikulturní Shoda V Pohledu Na Zvířataunclassified