Staging Stigma 2008
DOI: 10.1057/9780230616813_2
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Staging Stigma

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Cited by 5 publications
(4 citation statements)
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“…Within disability studies, valuable scholarship has been conducted on the phenomenon of the gaze and its role in casting disabled people as the other in various settings, from freak shows to medical theaters and public spaces (Bogdan, 1988;Chemers, 2008;Garland-Thomson, 2009;Hevey, 2006). Disability studies scholars point out that this gaze categorizes and assigns meanings to the disabled body, transforming disabled people into spectacles by choreographing the distance between disabled and non-disabled people.…”
Section: Literature Reviewmentioning
confidence: 99%
See 1 more Smart Citation
“…Within disability studies, valuable scholarship has been conducted on the phenomenon of the gaze and its role in casting disabled people as the other in various settings, from freak shows to medical theaters and public spaces (Bogdan, 1988;Chemers, 2008;Garland-Thomson, 2009;Hevey, 2006). Disability studies scholars point out that this gaze categorizes and assigns meanings to the disabled body, transforming disabled people into spectacles by choreographing the distance between disabled and non-disabled people.…”
Section: Literature Reviewmentioning
confidence: 99%
“…The type of message communicated between the starer and staree entails stigmatization and discrimination. In other words, this stare becomes an othering stare; it becomes the stare that creates the normal, nondisabled/abnormal, disabled dichotomy (Chemers, 2008).…”
Section: Introductionmentioning
confidence: 99%
“…Esses circos viajavam pelas cidades explorando a curiosidade pelas deformidades, anomalias genéticas e as diferenças humanas com propósitos econômicos, sob a justificativa do oferecimento de uma profissão e de cuidados às pessoas com deficiências abandonadas pelos familiares, uma vez que a cultura do abandono estava presente nas famílias e favorecia esse tipo de exploração. Os circos cuidavam dessas pessoas, em alguns casos desde a infância, explorando-as durante toda a sua existência (BOGDAN, 1990;CHEMERS, 2008;MALTA, 2010).…”
Section: Apresentaçãounclassified
“…This is not to say that the ethical troll should go to extremes to trouble one's sense of right or wrong, however. The dramaturg Michael Chemers (2008) knows something about extremes, and he has examined the kinds of forces that extraordinary theatrical devices can unleash on an audience. During his Art of Change interview, Chemers uses the example of immersive theater, wherein the audience participates within the performance itself, to assert the main responsibility of an ethical troll.…”
Section: Ethical Trollingmentioning
confidence: 99%