2020
DOI: 10.1080/10509208.2020.1840881
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Stalkers of Istanbul: Silence, Urban Space and Damaged Masculinity in Nuri Bilge Ceylan’s Distant

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Cited by 2 publications
(1 citation statement)
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“…Emre Çağlayan draws attention to Ceylan’s previous work such as Uzak where similar themes of silence and exposition of urban space as a mental desert can be found. He comments that Ceylan’s “male leads are lonely wanderers, whose desire for women is unmatched by their voiceless disposition and their inability to use language, which are classic symbols of castration” (Çağlayan 2022, 324). However, the wandering of the characters in Ahlat Ağacı is no longer aimless as Sinan (and Ceylan) chooses the locus of the wanderings, i.e.…”
Section: Resisting Hegemonic Masculinitiesmentioning
confidence: 99%
“…Emre Çağlayan draws attention to Ceylan’s previous work such as Uzak where similar themes of silence and exposition of urban space as a mental desert can be found. He comments that Ceylan’s “male leads are lonely wanderers, whose desire for women is unmatched by their voiceless disposition and their inability to use language, which are classic symbols of castration” (Çağlayan 2022, 324). However, the wandering of the characters in Ahlat Ağacı is no longer aimless as Sinan (and Ceylan) chooses the locus of the wanderings, i.e.…”
Section: Resisting Hegemonic Masculinitiesmentioning
confidence: 99%