“…Actors can use emotion discourse to create and mobilize specific emotional prototypes, which allows them to differentiate between social groups based on their allegedly distinct emotional characteristics. For example, binary gender categories have traditionally relied on discourses depicting ideals of hyper-emotional womanhood versus hypoemotional manhood (Heesacker et al 1999;Plant, Hyde, Keltner and Devine 2000), and the construction of national stereotypes involves emotional prototypes, such as the emotional Brazilian (Rezende 2008). It is in this sense that emotion discourse operates as a mechanism for, inter alia, the creation of "emotional roles" (Parkinson 1996), "emotional stereotyping" (Mackie, Devos, and Smith 2000;Mackie, Smith, and Rey 2008), or even "emotional self-stereotyping" (Menges and Kilduff 2015).…”