2003
DOI: 10.1162/15241730360580195
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Story, Poetry, and Metaphor: Subjective Solutions for Subjective Problems

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Cited by 3 publications
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“…Thereby, narratives represent one effective form of expression to achieve this (Nonaka and Toyama 2007;Parry and Hansen 2007;Rowley and Gibbs 2008). A good story has the capacity to connect people to their emotions and access deeply shared wisdom that lies beneath language (Simmons 2003). Therefore, leading with narratives enables leaders to reconnect people to their wisdom or common sense, and elude the dominance of routines, rules, and objective performance indices, which has distorted their work ability (Boal and Schultz 2007;Simmons 2003).…”
Section: "Wise and Letmentioning
confidence: 99%
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“…Thereby, narratives represent one effective form of expression to achieve this (Nonaka and Toyama 2007;Parry and Hansen 2007;Rowley and Gibbs 2008). A good story has the capacity to connect people to their emotions and access deeply shared wisdom that lies beneath language (Simmons 2003). Therefore, leading with narratives enables leaders to reconnect people to their wisdom or common sense, and elude the dominance of routines, rules, and objective performance indices, which has distorted their work ability (Boal and Schultz 2007;Simmons 2003).…”
Section: "Wise and Letmentioning
confidence: 99%
“…A good story has the capacity to connect people to their emotions and access deeply shared wisdom that lies beneath language (Simmons 2003). Therefore, leading with narratives enables leaders to reconnect people to their wisdom or common sense, and elude the dominance of routines, rules, and objective performance indices, which has distorted their work ability (Boal and Schultz 2007;Simmons 2003). Furthermore, leaders' life experiences, values, beliefs, and wisdoms are more likely to be stored and displayed in the form of stories, rather than in lists of facts and figures.…”
Section: "Wise and Letmentioning
confidence: 99%
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“…Like with simple metaphors, readers can identify with a fable's animal characters at an emotional, creative and innovative level (Cornelissen 2005). This emotional engagement with a fable allows for the discussion of otherwise uncomfortable issues, because its allegoric qualities work at a different level and help overcome organisational actors' defensive reactions (Simmons 2003). Yet, there is also a risk of seducing the audience to think and behave in a particular way, thus manipulating both cognition and behaviour.…”
Section: Introductionmentioning
confidence: 99%
“…This view is echoed by Annette Simmons, author of the business best-seller The Story Factor. Simmons (2003) defines the story as a "narration of a sequence of events that stimulates a visual, sensory, and emotional experience that feels significant for both the listener and the teller" (p. 41). She also promotes storytelling as a way of "reconnecting people to their wisdom" and as a means of escaping the "tyranny of agendas, objective measures, and outcomes [that] has distorted our ability to do good work" (p. 42).…”
Section: Leadership Through Storytellingmentioning
confidence: 99%