Strategi Kolaborasi Dalam Seni Pertunjukan Tradisional Di Kabupaten Subang

Setiawan, Irvan

doi:10.30959/patanjala.v5i2.146

Cited by 3 publications

(4 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…The collaborative packaging presented by the Barong Ngesti Wargo Budoyo art group appears to be based on the desire to capture the audience or pursue purely entertainment aspects. This kind of phenomenon also occurs in Subang, as reported by Setiawan (2013) that the collaboration of performing arts that takes place in Subang tends to place more emphasis on entertainment aspects. Or in other words, the main purpose of collaborative performance is solely to get audiences.…”

Section: Collaborative Packaging "Barongan Art"mentioning

confidence: 65%

The Aesthetic Taste Representation of Coastal Community

Wiyoso

Putra

2020

Harmonia

View full text Add to dashboard Cite

Aesthetic tastes of a person to an art form are determined by the knowledge and experience that comes from the culture of the community. In this regard, this study aims to determine the aesthetic tastes of coastal communities as reflected in the collaborative packaging of the traditional art of Barong Ngesti Wargo Budoyo. The method used was a qualitative research method with data collection techniques, observation, interviews and documentation, then the data were analyzed based on interactive data analysis which the flow were data reduction, data presentation, drawing conclusions and verification. The results showed that the collaborative packaging of the traditional art of Barong Ngesti Wargo Budoyo received tremendous appreciation from coastal communities, it was shown that every performance of this art was always full of audiences of all ages. The audience in the show as if there is no distance, the audience can also interact with players. The phenomenon that occurs in collaborative performances of traditional arts, indicates that the collaborative packaging of traditional arts represents the packaging of shows that suits the aesthetic tastes of coastal communities. Community tastes based on their characteristics can be categorized into popular taste.

show abstract

Section: Collaborative Packaging "Barongan Art"mentioning

confidence: 65%

The Aesthetic Taste Representation of Coastal Community

Wiyoso

Putra

2020

Harmonia

View full text Add to dashboard Cite

show abstract

“…Of the many traditional arts in Sumedang Regency, the author takes Gembyung art as research material (Setiawan, 2013). These traditional arts are usually played for people's entertainment, also used for traditional ceremonies such as ruwatan bumi.…”

Section: Abstract a R T I C L E I N F Omentioning

confidence: 99%

Preservation of Cultural Values and Religious Character Through the Art of Gembyung Art

Mubaroq,

Sapriya,

Tanzil

2022

j.civicus

View full text Add to dashboard Cite

The cultural diversity that is owned by the Indonesian nation is a beautiful thing to be maintained and preserved so that it has an important role in building good relations in the progress of the nation. As a good citizen, one must maintain and preserve every culture that belongs to the Indonesian state. One of the cultures that Indonesia has is the Gembyung culture, which originates from Sumedang, West Java. In this study, researchers used a qualitative approach with the case study method. The participants in this study were the Sumedang Regency heirloom group with data collection techniques through interviews, observations and literature studies. The data analysis technique used is data reduction, data presentation and conclusions drawn by researchers. The results obtained from this study are: (1) Knowing the art form of gembyung in Sumedang Regency to preserve culture and religious character, (2) Management of Gembyung art in Sumedang Regency in preserving cultural values and religious character, (3) constraints and solutions in managing gembyung art in Sumedang Regency in preserving cultural values and religious character.

show abstract

“…In line with this, Hulbeck (1945) states that "creative action is an omposing of one's own whole personality on the environment in an unique and characteristic way." Based on Oxford Advanced Learner's Dictionary (Setiawan, 2016;Wehmeier, 2005), creativity means "involving the use of skill and the imagination to produce something new or a work of art, and having the skill and ability to produce something new, especially a work of art, showing this abilityBased on the above statement, creativity is a unique action that arises because of the interaction of individuals both with themselves and with their surroundings.…”

Section: Introductionmentioning

confidence: 99%

“…Research conducted by Setiawan (2016) explains that creativity and innovation in the performing arts are needed as an effort to maintain existing traditional arts. For example, the cultural acculturation between the Sasak ethnic group as the original inhabitants of Mataram city and the ethnic immigrants including Javanese, Balinese, Bugis, Bima, Flores, Chinese, Arabic, and others has been able to maintain the continuity of existing arts.…”

Section: Introductionmentioning

confidence: 99%

Creativity and Innovation of Artist in Maintaining and Developing the Songah Tradition Art

et al. 2020

View full text Add to dashboard Cite

Songah is one of the traditional arts originating from Citengah Village, Sumedang Regency. This art was formed from the creativity and innovation of the people of Citengah Village, Sumedang Regency to maintain the existence of traditional arts. Based on concern and love for their culture, the community continues to make reforms so that the existence of the songah art is maintained and can keep up with the times. This study aims to describe and analyze the creativity and innovation of society in utilizing existing natural resources as an effort to maintain and develop the songah traditional art. Through a qualitative approach and descriptive methods, the researchers reveal the creative process carried out by the people of Citengah Village in maintaining and developing the songah art. This study’s data were collected through observation, interviews, and strengthened by a literature review, which was then analyzed using descriptive qualitative techniques. The results showed that the creativity of the people of Citengah Village in maintaining and developing the songah traditional art can be seen in the aspects of natural resource management in the area. The community changed songong, which is a means of blowing fire in a furnace (Sundanese: Hawu), into an art tool called songah (songsong Citengah/songong kabungah). As a musical instrument having no tone, people who are members of the community collaborate songsong with other musical instruments to produce a unique musical composition. The development of the s art cannot be separated from the innovation of the community that collaborates songah with other musical instruments. This has a positive impact on the songah art so that it can be side by side and not less competitive with other traditional arts, including arts originating from abroad. Based on the results of existing research, the development of community’s creativity and innovation in maintaining the existence of art needs to be done continuously to anticipate being alienated and the loss of traditional arts.

show abstract

Strategi Kolaborasi Dalam Seni Pertunjukan Tradisional Di Kabupaten Subang

Cited by 3 publications

References 0 publications

The Aesthetic Taste Representation of Coastal Community

The Aesthetic Taste Representation of Coastal Community

Preservation of Cultural Values and Religious Character Through the Art of Gembyung Art

Creativity and Innovation of Artist in Maintaining and Developing the Songah Tradition Art

Contact Info

Product

Resources

About