2019
DOI: 10.1515/humor-2018-0134
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Subversive humor in Spanish stand-up comedy

Abstract: This paper aims to explore subversive humor in Spanish stand-up comedy by analyzing the work of two well-known Spanish female comedians, Eva Hache and Patricia Sornosa. In order to reach this goal, a corpus of these comedians’ performances has been collected, comprising a total of 25 monologues, which have been divided into humorous sequences, which come to a total of 76 in the corpus of Eva Hache and 37 for Patricia Sornosa. The qualitative and quantitative analysis has focused on subversive humorous sequence… Show more

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Cited by 16 publications
(6 citation statements)
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“…The results of the study show that Sakdiyah Maruf uses Stand Up Comedy as a medium to criticize various patriarchal issues, such as the role of women in society, gender discrimination, and sexual harassment. The comedy that she presents provides a new, different perspective on these issues, and gives a strong message to the audience about the importance of supporting women's struggles (Ruiz-Gurillo & Linares-Bernabéu, 2020).…”
Section: Scene 1: Girls Don't Go To High Schoolmentioning
confidence: 99%
“…The results of the study show that Sakdiyah Maruf uses Stand Up Comedy as a medium to criticize various patriarchal issues, such as the role of women in society, gender discrimination, and sexual harassment. The comedy that she presents provides a new, different perspective on these issues, and gives a strong message to the audience about the importance of supporting women's struggles (Ruiz-Gurillo & Linares-Bernabéu, 2020).…”
Section: Scene 1: Girls Don't Go To High Schoolmentioning
confidence: 99%
“…Thematic sequence. As used in the literature (Ruiz Gurillo and Linares Bernabéu, 2020;Val.Es.Co., 2014), sequence is defined as a "conversational structure with a structural and topical unit in which the monologist develops a continuous intervention … that is disrupted by the laughter and applause of the audience" (Ruiz Gurillo and Linares Bernabéu, 2020: 36). The sequence is delimited by its thematic content and structure.…”
Section: Kimmelmentioning
confidence: 99%
“…Apart from the fact that it is the most representative stand-up comedy show in China now, the competition format also allows me to directly understand the audience's attitudes towards different female figures in the show based on the results and evaluations of the competition. In the first part that follows, I analyze the three main feminine images and discourse strategies constructed by the show's female comedians [7]. I then discuss the Chinese public's acceptance of different female discourses within the competition results and the textual content of the audience feedback, and reflexive reconfiguration.…”
Section: Introductionmentioning
confidence: 99%