Surface Design Technique through Tradition Technique

Abstract

This aim of this study is to examine the application of tritik technique in creating exquisite batik pattern design. Essentially, tritik is a technique in batik pattern making that is almost similar to the “tie-and-dip” (ikat-dan- celup) technique; however, the subtle difference between the two techniques lies in the aspect of fabric treading, with the former being able to produce elegant and appealing patterns. This study used a qualitative approach using an observation method in which the researchers observed the creation of such art through studio practice. Essentially, the examination of the practice of such a technique was carried out based on direct observation and unstructured interviews, and the collection of textile products. The research findings showed the experimentation of the tritik technique in the textile pattern designs was highly effective, as evidenced by the exquisite aesthetical effects on the surface of the fabrics, such as the formation of elegant lines consisting of dots and of dashed lines and 3-dimensional texture. In addition, the research findings revealed that the quality of fabrics, the type of colors, and sewing polarity heavily influenced such exquisite tritik pattern design. Collectively, all the above elements were intertwined that helped create appealing, beautiful tritik pattern design infused with high aesthetical values.

Surface Design Exploration to Diversify Ciwaringin Cirebon Batik Design

“…The long and intricate process of the handwriting batik can be viewed as a distinct competency for attracting new market. Furthermore, the technique can also be utilized to address the cultural context demand of European home décor market since handwriting batik technique is classified as a surface design created from a traditional technique that may produce pattern and color (Ramli & Shuhaizam Said, 2021). The handwriting batik can also be employed to express the hypernature trend on textile.…”