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Kajian ini memfokuskan kepada keindahan seni manik etnik Lun Bawang di Lawas, Sarawak menerusi penghasilan kraf manik seramik dari segi olahan, penggunaan bahan, mereka corak dan proses penghasilannya. Cetusan idea kajian ini terhasil bertujuan untuk mengangkat seni manik etnik Lun Bawang ini ke peringkat lebih tinggi dan memberi pendedahan kepada etnik untuk memperlihatkan kearifan lokal etnik ini mampu mempengaruhi kreativiti seni manik di Sarawak. Keunikan kraf manik etnik Lun Bawang ini sebenarnya terletak pada reka corak motifnya yang digunakan, bahan serta cara penghasilannya. Motif-motif tradisional etnik ini digambarkan dan diinterpretasikan pada permukaan manik berfungsi untuk mencerminkan identiti dan kebudayaan etnik Lun Bawang dan memberi simbolik estetika yang tinggi serta keindahan pada manik tersebut. Kaedah kualitatif menerusi pendekatan historikal telah membuktikan bahawa masyarakat setempat bijak mengadaptasikan sumber alam dan identiti etnik mereka dalam penghasilan seni manik ini. Nilai keindahan apreasasi etnik Lun Bawang ini terhadap penghasilan seni manik dalam budaya mereka adalah satu refeleksi kearifan lokal terhadap ketelitian observasi tentang fungsi dan sifat bahan alam sebagai bahan utama bagi penghasilan objek seni terutama manik.

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This aim of this study is to examine the application of tritik technique in creating exquisite batik pattern design. Essentially, tritik is a technique in batik pattern making that is almost similar to the “tie-and-dip” (ikat-dan- celup) technique; however, the subtle difference between the two techniques lies in the aspect of fabric treading, with the former being able to produce elegant and appealing patterns. This study used a qualitative approach using an observation method in which the researchers observed the creation of such art through studio practice. Essentially, the examination of the practice of such a technique was carried out based on direct observation and unstructured interviews, and the collection of textile products. The research findings showed the experimentation of the tritik technique in the textile pattern designs was highly effective, as evidenced by the exquisite aesthetical effects on the surface of the fabrics, such as the formation of elegant lines consisting of dots and of dashed lines and 3-dimensional texture. In addition, the research findings revealed that the quality of fabrics, the type of colors, and sewing polarity heavily influenced such exquisite tritik pattern design. Collectively, all the above elements were intertwined that helped create appealing, beautiful tritik pattern design infused with high aesthetical values.

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