Abstract:The origin of the acoustic and seismic emissions from impacted singing grains and from avalanching dune sand grains is sought in modes of vibration in discreet grain columns.It is postulated that when the grains in a column are pressed together, elastic shear bands are formed at the contact areas with distinct elastic properties. The central part of such contact shear bands, where the stress level is maximum, is partially fluidized, resulting in reduced elastic moduli. In a given column, the elastic moduli would assume the lowest values just below the impacting pestle and higher values further below.The assembly of all grain columns below the pestle forms the slip shear band. The transfer of energy from the pestle to the modes of vibration in such columns is effected by the stick-slip effect. The intense collective vibration of all columns in the slip shear band results in the familiar musical sound. The concept of grain flowability is used to justify the disparity between the acoustic emissions from impacted singing grains and from avalanching dune sand grains. The concept of grain columns is assumed to apply in the freely avalanching booming sand band, but with larger length to justify the lower frequencies. This approach predicts frequency spectra comprising a low frequency content and a dominant frequency with its harmonics in agreement with the experimental evidence. Additionally, it can account for the low frequency vibration evoked when booming sand flows through a funnel. It is argued that sand grains do not sing or boom since the stick-slip effect in not applicable in the contact shear bands.