2012
DOI: 10.1179/2047058412y.0000000048
|View full text |Cite
|
Sign up to set email alerts
|

Technical examination of enamels from the Botkin collection

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

2014
2014
2021
2021

Publication Types

Select...
2

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(1 citation statement)
references
References 6 publications
0
1
0
Order By: Relevance
“…The authors used a number of techniques to come to this conclusion, including the analysis of pigments by PXRF instrumentation. The analysis of eight cloisonné enamels on gold of Byzantine appearance, held in a number of museums in the USA and all originating from the possessions of the Russian artist Mikhail Botkin (1839-1914), were examined by Helfenstein et al 325 The authors used analytical data obtained by XRF and SEM analysis as well as art history evidence to conclude that seven of the eight pieces were 19 th or early 20 th century copies of Byzantine originals.…”
Section: Forensicmentioning
confidence: 99%
“…The authors used a number of techniques to come to this conclusion, including the analysis of pigments by PXRF instrumentation. The analysis of eight cloisonné enamels on gold of Byzantine appearance, held in a number of museums in the USA and all originating from the possessions of the Russian artist Mikhail Botkin (1839-1914), were examined by Helfenstein et al 325 The authors used analytical data obtained by XRF and SEM analysis as well as art history evidence to conclude that seven of the eight pieces were 19 th or early 20 th century copies of Byzantine originals.…”
Section: Forensicmentioning
confidence: 99%