“…Going beyond conversational data, some scholars have examined masculinity as a literal performance through the vector of traditional and 'new' media. For example, Talbot (1997), Sunderland (2000), Benwell (2003Benwell ( , 2004, Stibbe (2004), Coffey-Glover (2015), and Baker & Levon (2016) have analysed how discourses of men, maleness, and masculinity are textually constructed in books, magazines, and newspapers, while Bucholtz and Lopez (2011), examine how masculinity and ethnicity are inflected in performances of 'linguistic minstrelsy' (a form of mock language, following Hill 1998) in Hollywood movies, demonstrating the ways such minstrelsy simultaneously reproduces and undermines the dominance of hegemonic white masculinity. Alim et al (2018) also show how white hegemony is challenged through their analysis of freestyle rap battles in Los Angeles and Cape Town, although they convincingly argue that these performances also marginalize "women, femininity, and all gender nonconforming bodies that challenge the gender binary" (Alim et al 2018, p. 59), thus becoming a site for the continued legitimation of cisheteropatriarchy.…”