The Ancestral Heritage: Sundanese Traditional Houses Of Kampung Naga, West Java, Indonesia

Darmayanti, Tessa Eka

doi:10.1051/matecconf/20166600108

Cited by 10 publications

(9 citation statements)

References 2 publications

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“…Traditional Sundanese houses (Darmayanti, T. E., 2018) have the architectural concept of returning to nature where nature is the center of many design considerations. According to the basic concept of Sundanese traditional architectural design is to blend with nature.…”

Section: Literature Review 21 Sundanese Traditional Architecturementioning

confidence: 99%

A Philosophical Study of Creative Stage Houses for Marginalized People

Tenriola,

Handayani

2022

JoDiE

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The Creative Stage House for the Marginal is an architectural design which is the result of an architectural design competition for housing. Intended for the marginalized, this house is designed with a behaviorial approach and the Sundanese cultural architecture which is the location of its design research. The purpose of this article is to identify and describe the principles and characteristics of traditional Sundanese architecture that are the background in the design and to understand the principles and characteristics of the application of traditional Sundanese architecture in the design of the Creative Stage House for the Marginal. The research method used is descriptive qualitative which is expected to be able to describe the application of the traditional architectural form of Sundanese culture to the design of the house through literature study. By identifying the visual characteristics of the spatial form of the Creative Stage House for the Marginal, it is known that the architectural design of the Creative Stage House for the Marginal adapts not only the form of Sundanese architecture but the values contained in it such as the concept of dividing the three masses of the house building. The results of this philosophical study found that the composition of the masses, the typology of buildings that adhere to Sundanese cosmology and the shape of the roof that uses the Sundanese Julang Apak architecture hold the hope of increasing the standard of living and self-confidence of the marginalized. Keywords: Philosophy, Sundanese Traditional House, Traditional Architecture

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Section: Literature Review 21 Sundanese Traditional Architecturementioning

confidence: 99%

A Philosophical Study of Creative Stage Houses for Marginalized People

Tenriola,

Handayani

2022

JoDiE

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“…Many past and present indigenous cosmologies see the universe as three-tiered, consisting of the underworld, the 'here and now' world, and the above, the upper world (Ardhana 2016;Auersbach 2018;Blumdell and Ferreira 2018;Brady and Ashmore 1999;Clarke 2015;Darmayanti 2016;Funk 2018;Gjerde 2019;Gonzalez-Garcia 2017;Helskog, 1999;Leete 2017;Lucero 2018;Montello and Moyes 2012;Nakhodkina 2018;Pugh-Kitingan 2014). Likewise, indigenous societies emphasize a strong relationship between cultural/group identity and places, landscapes, and geographic landmarks (Basso 1996;Bloch L., 2019;Darmayanti 2016;Hays-Gilpin 2019;Helskog 1999;Montello and Moyes 2012). In many indigenous societies, actively connecting with the cosmos, environment, and places is considered necessary for the group's well-being and successful adaptation (Kearney, Bradley, and Brady 2019;Taçon 2019;Taçon and Baker 2019).…”

Section: Upper Paleolithic Decorated Caves: Towards An Understandingmentioning

confidence: 99%

Hypoxia in Paleolithic decorated caves: the use of artificial light in deep caves reduces oxygen concentration and induces altered states of consciousness

Kedar

Kedar²,

Barkai

2021

Time and Mind

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In this paper, we present a novel hypothesis as to what led humans in the Upper Paleolithic to penetrate and decorate deep, dark caves. Many of the depictions in these caves are located in halls or narrow passages deep in the interior, navigable only with artificial light. We simulated the effect of torches on oxygen concentrations in structures similar to Paleolithic decorated caves and showed that the oxygen quickly decreased to levels known to induce a state of hypoxia. Hypoxia increases the release of dopamine in the brain, resulting in hallucinations and out-of-body experiences. We discuss the significance of caves in indigenous world views and contend that entering these deep, dark environments was a conscious choice, motivated by an understanding of the transformative nature of an underground, oxygen-depleted space. The cave environment was conceived as both a liminal space and an ontological arena, allowing early humans to maintain their connectedness with the cosmos. It was not the decoration that rendered the caves significant; rather, the significance of the chosen caves was the reason for their decoration.

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“…Several studies have also been conducted concerning gender in culture and architecture in Indonesia and gender category has been observed to be one of the important concepts in the cosmos according to Javanese culture as indicated in the Javanese houses at Kotagede (Ju et al 2018). Moreover, gender-based division of the world or cosmos was found in Sundanese culture (Darmayanti 2016) while the concept of a house in the tradition of Saga traditional village at Flores was reported to be feminine (Achmad et al 2017).…”

Section: Gender In Culture and Architecturementioning

confidence: 99%

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

Purbadi¹,

Lake²,

Sumardiyanto³

et al. 2021

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This article aimed to show the existence of gender concepts in the culture and settlement of the Dawan tribe in Kaenbaun Village, as indicated with its strong presence in the everyday life of the community, including the formal and ritual aspects. The concept exists in the inner world and mindset of every villager and has also become the guiding element of their world view, behaviour, place arrangement, and living space structures. This study was, there, conducted using participatory observation based on the Husserlian phenomenology paradigm supported by the inductive-empirical and qualitative descriptive methods to discover and understand the gender concept as well as its application and background in the selected tribe. The results showed the fetomone gender concept has become a paradigm of the thought expressed broadly and consistently through words, behaviour, as well as place and spatial arrangements among the villagers. Its function and meaning were further clarified in relation to the life and settlement architecture of the people. The core principle observed to be behind the concept is the separation and integration of life elements in an intense and permanent mutualism symbiotic relationship. Therefore, it was necessary to research the concept, function, and meaning of gender in ethnic cultures throughout Indonesia in order to form a collection of knowledge on gender and spatial planning which is useful to the understanding of ethnic settlements’ uniqueness based on local or ethnic perspectives and their preservation.

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The Ancestral Heritage: Sundanese Traditional Houses Of Kampung Naga, West Java, Indonesia

Cited by 10 publications

References 2 publications

A Philosophical Study of Creative Stage Houses for Marginalized People

A Philosophical Study of Creative Stage Houses for Marginalized People

Hypoxia in Paleolithic decorated caves: the use of artificial light in deep caves reduces oxygen concentration and induces altered states of consciousness

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

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