The Ashgate Research Companion to Fan Cultures

Duits, Linda; Zwaan, Koos; Reijnders, Stijn

doi:10.4324/9781315612959

Cited by 10 publications

(3 citation statements)

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“…Cyberspace (dunia maya) dapat diartikan sebagai sebagai ruang yang dibayangkan antara komputer di mana orang dapat membangun diri baru dan dunia baru (Bell, 2001). Dunia maya hadir dengan berbagai kemudahannya membuat haters dan fans telah merambat ke dunia maya terlebih lagi dalam dunia maya keberadaan haters dan fans ini semakin anonymous (Duits et al, 2014). Claessens dan Van den Bulck (2013) menyatakan bahwa haters telah merambah ke cyberspace sehingga ungkapan ketidaksukaan atau kebenciannya terhadap idola menjadi lebih masif dan diarahkan langsung pada selebriti, artis atau public figure yang tidak disukainya.…”

Section: Pendahuluanunclassified

Cyberspace Sebagai Area Perang Antara Fans Versus Haters K-Pop di Instagram

Fitria¹

2022

Kopis

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This research focuses on the fanwar phenomenon that occurs between fans versus haters on Instagram. By using the netnographic method, researchers did non-participatory observations on the accounts of haters and fans on Instagram. The object of this research is Once as a fan group and Thrice as a hate group. The results of the study show that the fan war that occurs on Instagram has several forms, such as fan war through the comments column, through indirect messages and uploads via Instagram stories. During the war process, fans and haters always use harsh, aggressive and disrespectful words or better known as flaming. hassle and block are two events used by fans and haters to avoid fanwar. As fans, fans take the fight to the haters group by creating a counter account to fight the haters account on Instagram. With this resistance aimed at fans not making haters stay silent, haters then create a rival Instagram account to fight the anti-haters account created by these fans.

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Section: Pendahuluanunclassified

Cyberspace Sebagai Area Perang Antara Fans Versus Haters K-Pop di Instagram

Fitria¹

2022

Kopis

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“…Since she joined Twitter in 2008, Lady Gaga has insisted on interacting with her fans as a publicity hot spot. Lucy Bennett has summarized this kind of phenomena as "the emergence and widespread use of social media by celebrities are trying to reconfigure the contact level and participation depth between both fans and celebrities" [6]. Since its establishment in 2009, Weibo has also attracted a large number of celebrities to come here to share their daily life and communicate with their fans, which attracts more fans and improves their business value.…”

Section: Celebrities' Active Participation In Social Mediamentioning

confidence: 99%

Transformation of Fan Culture Under the Influence of Social Media

Jia¹,

Ma²

2021

Advances in Social Science, Education and Humanities Research

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Nowadays, fandom and fan culture have step into the eyes of the public gradually. Many people are curious about how this subculture carries weight to society. In this article, we mainly focus on discussing two problems. The first is how the development of social media and technology influences fandom. The second is how the fan culture influence back to the economy and society. For the importance, our study could help with the further study on fan culture, social media, explore their relationship, and help the audience have a better understanding of fandom and fan culture and their working principle under the surface. The method we choose to solve the problem is literature review. Through reviewing journal articles searched from google scholar, China National Knowledge Infrastructure (CNKI), and some secondary data from media reports. And we find that fan culture can be considered participatory culture, which was promoted by the development of social media (development of technology pushes the change of social media). And as the participatory culture grows, fans change their roles and actively influence back society. Our general findings are that emerging new media promote the role change of fans, push the subculture to stand on the stage of mainstream culture, and become a stream that cannot be ignored in the social economy. Our work can be used in entertainment media firms, which helps them have a better acquaintance with their targeted customer and helps the relative department govern the fandom market.

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“…a palavra é originada pelo jogo de palavras entre a palavra fan (fã) e kingdom (reino), transmitindo a ideia de que o fandom é um território povoado e que pertence aos fãs (DUITS et al, 2014). De acordo com Fiske (1992), o fandom se difere da audiência em geral pois se refere a um senso de comunidade e é normalmente associado às formas culturais não aceitas pela estrutura dominante -música pop, romances, quadrinhos, estrelas de Hollywood, entre outros.…”

Section: Os Fãs De Lovecraft Nos Sites De Redes Sociaisunclassified

O Culto De Cthulhu Na Cibercultura: As Ressignificações Do Conto De H.P.LOVECRAFT No Facebook

Kurtz

2017

Abusões

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resumo: O grande marco do estilo literário de horror cósmico foi atribuído à publicação do conto "O Chamado de Cthulhu", escrito por H.P. Lovecraft, na revista Weird Tales, em 1926. A narrativa não apenas influenciou outros escritores da época, como perdura até hoje na cultura pop. o deus ancestral Cthulhu, com sua cabeça tentacular, asas e garras prodigiosas, cujo nome não pode ser pronunciado por línguas humanas, ganhou um lugar de destaque na atualidade, reunindo muitos fãs. Contudo, percebe-se que há novas interpretações tanto para o conto quanto para o personagem. O objetivo do presente artigo é investigar as ressignificações e permanências existentes nos conteúdos criados por fãs acerca do conto "o Chamado de Cthulhu". a análise é fundamentada nas teorias de fãs de Henry Jenkins,

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The Ashgate Research Companion to Fan Cultures

Cited by 10 publications

References 0 publications

Cyberspace Sebagai Area Perang Antara Fans Versus Haters K-Pop di Instagram

Cyberspace Sebagai Area Perang Antara Fans Versus Haters K-Pop di Instagram

Transformation of Fan Culture Under the Influence of Social Media

O Culto De Cthulhu Na Cibercultura: As Ressignificações Do Conto De H.P.LOVECRAFT No Facebook

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