The audience in the role of the conductor

Speicher, Marco; Gröber, Lea Theresa; Haluska, Julian; Hegemann, Lena; Hoffmann, Isabelle; Gehring, Sven; Krüger, Antonio

doi:10.1145/2914920.2940335

Cited by 2 publications

(2 citation statements)

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“…After the device pairing, user could control the public display using his personal mobile device. In [11] mobile devices and a large display are used as an interaction medium between the audience and the orchestra. First commercial applications exist as well e.g.…”

Section: Related Workmentioning

confidence: 99%

Sensor Ball Raffle – Gamification of Billboard Advertising: How to Engage the Audience?

Järvinen

Peltola

Kemppi

2018

Entertainment Computing – ICEC 2018

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In this paper, we present an interactive game for a large public display. Our focus was on experimenting new ways to enhance the effectiveness of a large, billboard size, display by adding a collaborative interaction mechanism for a user crowd. Working with a pop festival organizer, we developed a technology proof-of-concept of a multiplayer raffle game supporting crowd interaction with a large public display using an air-filled ball, equipped with an accelerometer and a barometer, as an interaction device. We experimented on its possibility to engage festival audience in live pilots in two occasions. Our observations showed that the audience enjoyed the raffle game and participated willingly. In addition, advertisers found the solution interesting.

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Section: Related Workmentioning

confidence: 99%

Sensor Ball Raffle – Gamification of Billboard Advertising: How to Engage the Audience?

Järvinen

Peltola

Kemppi

2018

Entertainment Computing – ICEC 2018

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“…Even if interactive audience engagement has yet to be studied in depth, several interesting findings have been made, relating mood and music (Speicher et al, 2016), audience as performer and composer (Walker & Bellet, 2016), and physical audience engagement in the performance (Simon, Van Der Vlugt & Calvi, 2016).…”

Section: Audience Engagement and Rolementioning

confidence: 99%

Generative Theatre of Totality

Veiga

2017

CITAR Journal

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Generative art can be used for creating complex multisensory and multimedia experiences within predetermined aesthetic parameters, characteristic of the performing arts and remarkably suitable to address Moholy-Nagy's Theatre of Totality vision. In generative artworks the artist will usually take on the role of an experience framework designer, and the system evolves freely within that framework and its defined aesthetic boundaries. Most generative art impacts visual arts, music and literature, but there does not seem to be any relevant work exploring the cross-medium potential, and one could confidently state that most generative art outcomes are abstract and visual, or audio. It is the goal of this article to propose a model for the creation of generative performances within the Theatre of Totality's scope, derived from stochastic Lindenmayer systems, where mapping techniques are proposed to address the seven variables addressed by Moholy-Nagy: light, space, plane, form, motion, sound and man ("man" is replaced in this article with "human", except where quoting from the author), with all the inherent complexities.

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The audience in the role of the conductor

Cited by 2 publications

References 1 publication

Sensor Ball Raffle – Gamification of Billboard Advertising: How to Engage the Audience?

Sensor Ball Raffle – Gamification of Billboard Advertising: How to Engage the Audience?

Generative Theatre of Totality

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