Over the years, I have realized it is not enough to work with hammering heart, hands clasped to your breast (which only makes your ribs ache), your whole body tense. This can only exhaust the artist, but not his task. The horse carries the rider quickly and sturdily. The rider, however, guides the horse. The artist's talent carries him to great heights quickly and sturdily. The artist, however, guides his talent. This is the 'conscious,' the 'calculated' element in one's work,. .. The artist must know his gifts through and through (p. 370). Rothko (Lopez-Remiro, 2006) writes in The Ideal Teacher, "Art must be to him a language of lucid speech inducing the understanding and exaltation which art properly inspires. It is the artist teacher who has fulfilled that role with the most frequent success" (p.22). When Joseph Beuys (1990) was asked if teaching was an important function, he responded, It's my most important function. To be a teacher is my greatest work of art. The rest is the waste product, a demonstration.. . I want to get to the origin of matter, to the thought behind it. Thought, speech, communication-and not only in the socialist sense of the word-are all expressions of the free human being (p. 85). And still today contemporary artists reflect on their process and teaching, Linda Sikora, Mark Mitsuda & Therman Statom all discuss being an artist teacher in the PBS documentary Craft in America: Teachers (2016), Linda Sikora (2016) states, "Personally I don't have the energy to teach if I'm not in my studio. In fact, being in the studio inspires my teaching, the teaching inspires being in the studio." The artists confirmed that there is a cyclical nature to making art and teaching, they feed each other. Mark Mitsuda (2016) talks about the way you understand the medium more in depth when you have to teach it. Teaching is a different way of understanding art making than just the intuitive way that you use it in your own artwork.