The Cherry Orchard

Чехов, Антон Павлович

doi:10.5040/9781350209299.00000005

Cited by 3 publications

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“…If many remedies are prescribed for an illness, you may be certain that the illness has no cure (Chekhov, 1904(Chekhov, /2015.…”

Section: Imagery Of the Bodymentioning

confidence: 99%

“As-If” Personality

Schwartz

2024

Self - Rev Inst Junguiano SP

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The as-if person faces a conundrum whether to hide or expose the truth of who they are. Feelings of loss, limitation and curtailment, alienation, and obsolescence are prevalent yet concealed with glitzy persona/imposter images. Intimacy and being emotionally present are difficult. The as-if person withdraws into phantasy. Those living as-if are estranged from their true selves at the cost of their desire. The relationship to life outwardly appears as-if it was complete yet there is a haunting sense of lack and genuineness. Existence is singular. Very possibly we know these struggles as they are part of us. The subjects include the conundrum is the confusion of oneself, cultural influence of social media, the role of the father, transferences and body image. The recognition of the unconscious, a hallmark of Jungian analytical psychology is based on the incorporation of the dissociated personality parts into the self, reflecting the multiplicity of the psyche.

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“…If many remedies are prescribed for an illness, you may be certain that the illness has no cure (Chekhov, 1904(Chekhov, /2015.…”

Section: Imagery Of the Bodymentioning

confidence: 99%

“As-If” Personality

Schwartz

2024

Self - Rev Inst Junguiano SP

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Translation of Gender Pronouns From Russian Into Persian: A Case Study of the Play “The Cherry Orchard” by Anton Chekhov Into Persian by Simin Daneshvar

Saeidi,

Iskandary

2024

Lomonosov Translation Studies Journal

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Russian is a synthetic language, whereas Persian is an analytical language. The structures of these two languages are different from each other. The difference between the structures of these two languages makes it difficult to translate from one language to the other. One of these differences is the presence of gender pronouns in Russian and its absence in Persian. This difference will lead to the fact that if there are two gender pronouns in a Russian sentence, the translator will have to apply some tricks to clarify the gender content of the above pronouns. The purpose of the article is to identify techniques and methods for clarifying the gender content of Russian gender pronouns when translating from Russian into Persian. The novelty of the article lies in the fact that this article for the first time considers this problem when translating from Russian into Persian and identifies methods for solving it. This study uses a descriptive and systematic approach. The static population of this study included Russian sentences containing gender pronouns from the text of the play “The Cherry Orchard” by Anton Chekhov. At the end of the article, the methods of translating Russian gender pronouns from Russian into Persian are listed and illustrated by the Persian translation of “The Cherry Orchard” made by Simin Daneshvar.

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No country for old men: Finding a place to be in New South Africa

Duncan¹

2022

Int. J. English Lit.

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The Cherry Orchard

Cited by 3 publications

References 0 publications

“As-If” Personality

“As-If” Personality

Translation of Gender Pronouns From Russian Into Persian: A Case Study of the Play “The Cherry Orchard” by Anton Chekhov Into Persian by Simin Daneshvar

No country for old men: Finding a place to be in New South Africa

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