The first generations of scuba divers explored bodies of water across the globe using an approach that aligns in varying degrees with archaeological practices. The unique historiography and power of the legend of lost Inca gold in the Andes attracted many early explorers. In 1955, the Chicago Daily Tribune reported that William Mardof, who sought the fabled Inca gold, had reported the ruins of a submerged city in Lake Titicaca, part of which is located in Peru and part in Bolivia. 1 Even before the commercialization of the CG45 scuba diving equipment that Jacques Cousteau and Emile Gagnan licensed in 1946 (Cousteau and Dumas 1953), numerous stories told of more or less successful attempts to recover "sunken cities" or pre-Hispanic offerings in Andean lakes, as illustrated by the emblematic example of the draining of Lake Guatavita in Colombia in order to recover gold objects at the bottom of the lake (Hemming 1978, 195-198; Anderson and Bray 2006, 633-634).The introduction of archaeological methods in Andean lakes in the early 1980s immediately supported the existence of a ritual material culture linked to the numerous narrative components of Inca myths. The discovery and study of underwater offerings at Lake Titicaca is a notable example (Ponce et al. 1992;Reinhard 1992). In recent decades, the development of research about the relationship between the Incas and their ritual landscape, including aquatic environments, has reinforced the relationship between pre-Hispanic ritual practices and the underwater heritage found in Andean lakes (Reinhard 1992;Orsini and Benozzi 2013;Delaere and Capriles 2020). However, recent archaeological results, especially from Lake Titicaca, now highlight the presence of an abundant material culture that is not linked to underwater offerings.