2017
DOI: 10.4324/9781315086743
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The Disciplines of Vocal Pedagogy: Towards an Holistic Approach

Abstract: Copyright and moral rights to this thesis/research project are retained by the author and/or other copyright owners. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Any use of the thesis/research project for private study or research must be properly acknowledged with reference to the work's full bibliographic details.This thesis/research projec… Show more

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Cited by 7 publications
(4 citation statements)
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“…Of course, the diaphragm neither inflates nor expands, but these representations map understandable visual references of familiar objects, external movement, and paired gesture to the difficult-to-describe sensations of the diaphragm's contraction and release. In this way, metaphor helps to provide tangibility to our tacit and often wordless experience of living in our bodies [61,100,122] and is considered to be essential in the teaching of sensorimotor coordination needed for singing [19,23,39,41,42,49,51,98].…”
Section: Communicating Experiencementioning
confidence: 99%
“…Of course, the diaphragm neither inflates nor expands, but these representations map understandable visual references of familiar objects, external movement, and paired gesture to the difficult-to-describe sensations of the diaphragm's contraction and release. In this way, metaphor helps to provide tangibility to our tacit and often wordless experience of living in our bodies [61,100,122] and is considered to be essential in the teaching of sensorimotor coordination needed for singing [19,23,39,41,42,49,51,98].…”
Section: Communicating Experiencementioning
confidence: 99%
“…CCM vocal pedagogy has largely been guided by two main approaches. First, physiological approaches consider the mechanisms of vocal production (Hoch, 2017, 2019; Sell, 2005). A technical understanding of how sound is produced through variations in muscle movement, vocal fold tension, shapes of resonating chambers, and breath control are at the center of this approach.…”
Section: Context Of the Studymentioning
confidence: 99%
“…However, in choirs, there are multiple experiences and potential for confusion. For Sell, (2005) subjectivism is inadequate grounds for a pedagogical system; singers may not have the correct experience and conceptual understanding to render their physical sensations meaningful. Therefore, although "factual information need not replace imagery, […] all imagery should be based upon fact" (Miller, 1987, pp.17-18).…”
mentioning
confidence: 99%